New Novel by Karen DeMers Dowdall

 

 

 

 

 

 

 

 

 

Soon to be published, this historical time-slip paranormal fiction novel, begins with Sara Windsor Knightly, a modern day Wiccan (a mostly herbal witch), who inherits a 17th century colonial manor in a small colonial town in Connecticut. She turns the manor into a bed and breakfast Inn. Sara discoveries that the house is also haunted by Scottish ghosts who mostly behave themselves.

There is also a ghost witch who was burned at the stake, in 1690, and the ghost witch, a long dead relative of Sara’s, Alice Windsor Hall, wants Sara to rescue her small daughter, Clara, from terrible danger created by a wicked Alchemist posing as a minister, by going back in time to 1690. Sara believes she can’t change the past and will not agree to that request. Soon, however, Sara finds herself transported through time with Captain Christian Windsor-dead for 325 years.

Captain Windsor was a gentleman farmer from 1690, who was also a British Captain in the British Colonies of America during wartime. Captain Windsor was killed in the war of 1690 in Colonial America. He was in charge of a British Brigade during King William’s War of the League of Augsburg against the French occupation of land in British Colonial in America. The French, with the assistance of the Abenaki Indians from Maine, who were against the British for taking their ancestral lands in Maine, chose to fight with the French against the British Colonials in America.

 

 

 

 

 

The Ghost in the Standing Stone

 

 

 

 

 

 

As I walked through the abandoned centuries old churchyard, in a neglected area of the Yorkshire countryside of England, I shivered in the cold, damp, morning air. I was feeling melancholy, no doubt enhanced by the gray skies that seem to want to stay indefinitely, hovering over this landscape.

As I continued walking, mindlessly, through this abandoned field, I found myself wondering about the lives that once walked through this field, that are now dust. I couldn’t help wondering when it would be my turn—to turn to dust.

In my field of vision, I noticed an odd-looking standing stone that stood at the very edge of the long field. It was all alone, as if abandoned through the ages. From a distance, I could see, no, I  could feel it’s presence. How does one feel a standing stone’s presence?

I don’t know, yet, I felt it pulling me toward it or was it my imagination?  With each step toward the standing stone, the feeling grew stronger, my steps more sure of where they were going.

As I continued walking toward the standing stone, I began to hear a whispering of words. Was the stone whispering to me? I felt compelled to keep walking toward the speaking stone, and do what? Start speaking to it? Engaging it in titillating conversation? Really? Have I totally lost my mind?

As I approached the standing stone, the whisper grew louder and then I knew that this standing stone was inhabited by a ghost! This was no trick or a twist of my imagination; I could not help but feel its pain, its loneliness. I wondered how long it, the ghost, had been alone, abandoned, forced to haunt this abandoned place.

How many centuries did this poor soul live a life in stone? It was too horrible to even a imagine. And then I knew what I had to do. I had to help this lost soul, somehow. I felt it wanted me to.

He, yes, it was a male, I somehow knew that. He had been turned to stone, this poor soul, this young man, had, no doubt, been hexed, cursed as it were, by some warlock or wicked witch. How I knew this, I don’t know. But, why was he hexed and turned to stone? I had to find out!

I felt my hand go up to touch him, this standing human stone, so lost and alone. I felt his warmth, his heart beating, his lungs breathing. How can that be? I wondered.  In shock, I realized he was alive, not dead!

“May I have…your name?” I asked him. He then spoke. His voice was rich and deep, almost soothing.

“Aye, ye may,” he said. “Christian ‘tis mah name, Christian McEwen. May I be so bold Milady, tae ask yer name?”

“My…my name? Huh…yes…my name is Lexi, short for Alexandra McCoy.”

“Aye, ye hae a bonny name, Lexi, and ye art bonny, as weel.”

“Christian, how long have you…been in stone,like this…and who did this to you?”

“Aye…’twas a Witch, ye ken. A shrew! A bonny she-devil—a vixen.”

As I listened to him tell the story of how he happened to be turned into a standing stone, I could see him as he was before he was captured in the stone. His visage, pale as it was through the stone…was a handsome, tall, blond headed young man.  I guessed him to be about twenty-five years of age. He wore the clothes of centuries past. I guessed he once lived sometime in the 15th century. Scottish Gaelic.

“Christian,” I said, “I can’t stay much longer. It looks like a storm is brewing, so please tell me how I can help you?”

“Aye, I ken ye dae. I wish ye could stay with me, Lexi.”

“I wish I could too, Christian, but I must go now. I can comeback, you know.”

“Nay, Lexi, ye only hae one chance, ye cannae return to me. ‘Tis part of the wicked Witch’s curse, ye ken. Dinnae fash, Lexi.”

“How I wish I could stay, Christian. I am so sorry. I will miss you and I am sorry I couldn’t help you somehow.”

Suddenly the sky darkened, the wind blew like the devil himself wished me gone. The earth shook beneath me. Like magic, looming up in front of me was a figure of a woman, dressed in a centuries old costume. Her laughter rang out with glee and spite. She looked at me, with narrowed eyes of the darkest black I had ever seen.

“Run Lexi, ‘tis the Witch! Run as fast as ye can, Milady! Away with ye—now!”

I couldn’t move, the Witch had me in her grip; she said something in a language I didn’t understand. I felt myself vanishing, fading away, but I was not gone, not really. I found myself inside the standing stone with Christian. Fear raced through my being. “Oh my god, what have I done? Christian, what has happened to me?”

“Lexi, ye art with me. ‘Tis her curse…I didae ken. But, ye dae so on ye own. Aye, ye hae helped me, dinnae ye. I am nay alone now Lexi. Ye art with me.”

 

THE IMITATION GAME: Learning How to Be a Copy Cat!

THE IMITATION GAME: Learning How to Be a Copycat!

In Writer’s Digest magazine this month, I was stopped in my tracks, when I saw this article by Karen Krumpak. I thought…What?

But then reading on, I realized that this is what artists do all the time. The apprentice artists are required to copy their “Master’s work” in paintings, watercolor, and pastels. Okay, I thought, but how is copying, word for word, another author’s work going to help me? And is this a good idea? In my effort to understand this “Game”, I read on.

And, I then discovered that this is a practice game to improve writing skills. Great, I thought, I am hooked! It was a relief though, to know I wouldn’t be the only copycat. I was in good company: Jack London, Benjamin Franklin, and Hunter S. Thompson (I honestly don’t know who this man is or was.)

Next step: Learning to Copycat or rather finding a writer I love and want to copy, but, as I found out, this is not as easy as pie…it takes work! Work?? More work??

Okay…I am Game! (pun intended)

Ms. Karen Krumpak, the author of this article, states that “You will learn to have your own Voice and your own Distinctive Style!”  This sounded like magic to me, as I imagined my own Strong voice, and my own Distinctive style!

Or, would I be, “The New Copycat Killer of Words?” (secretly, I wondered if I would finally learn to properly use punctuation, and even learn how to use italics with confidence.) I have a secret love for italics—don’t ask me why, I don’t know. Italics are very pretty to look at, aren’t they?

The first thing is to sort through your personal library for a writer that you would love to imitate.  So, several hours later….I finally made a decision!

I chose a book with 870 pages: THE MISTS OF AVALON.  I figured that after 870 pages…I would really have my own Strong voice and my own Distinctive style! This would be the “Cat’s Meow” (Pun intended)!

This choice was perfect for me with my love of legends, fantasy, fairytales, and most of all, the Magic of Morgan Le Fay, in other words; the magic of a legends, and the magical saga of all the women behind King Arthur’s Throne. Ah Ha!  This is true…there are always women standing behind a man’s throne! (Just to be sure he didn’t forget anything. We women are so helpful.)

Next step: Learn how to be a Sherlock Holmes, but where is my Watson? Well, as Karen Krumpak states, “forcing yourself to impersonate another writer takes off the pressure of writing? Really? What pressure?

Soon, I am told, I will start reading like a writer. But, I do that already…maybe. Normally, I just read, for the pleasure of it. But, if I must, I will.

Soon, states Ms. Krumpak, I will learn to stretch my skills and improve my technique. This better work…if it doesn’t, well, I will have enjoyed immensely, re-reading The Mists of Avalon, just like a real writer reads a book. Good to know!

 

An Interview With Judy Rumsey Bullard, Book Cover Designer, This Saturday, October 20th!

 

 

 

 

 

As writers and authors, we know or should know, the importance of creating a book cover that shines. The cover should also represent as much as possible what the novel is all about. On October 20th, 2018, I will be interviewing Judy Rumsey Bullard, a very talented Book Cover Designer, who will talk to us about Book Cover Designing. She will be displaying 6 more of her great designs, and will talk to us about what it takes to be a successful Book Cover Designer! Here are three Book Cover designs that she designed for three of my novels and I love each one!

 

Three Secrets to Great Storytelling!

Whispering

 

 

 

3 SECRETS TO GREAT STORYTELLING as presented on Writer’s Digest. I found this article by Steven James helpful in forming the structure of scenes.  (this is a re-blogging from 2014 but I thought it deserved a revival now, because it is simple, straightforward, and to the point.)

As a novelist and writing instructor, I’ve noticed that three of the most vital aspects of story craft are left out of many writing books and workshops. Even bestselling novelists stumble over them – Steven James But they’re not difficult to grasp. In fact, they’re easy.And if you master these simple principles for shaping great stories, your writing will be transformed forever. Honest. Here’s how to write a story.

Secret #1: 
CAUSE AND EFFECT ARE KING.

Everything in a story must be caused by the action or event that precedes it.  As a fiction writer, you want your reader to always be emotionally present in the story. But when readers are forced to guess why something happened (or didn’t happen), even for just a split second, it causes them to intellectually disengage and distances them from the story. Rather than remaining present alongside the characters, they’ll begin to analyze or question the progression of the plot. And you definitely don’t want that. When a reader tells you that he couldn’t put a book down, often it’s because everything in the story followed logically. Stories that move forward naturally, cause to effect, keep the reader engrossed and flipping pages. If you fail to do this, it can confuse readers, kill the pace and telegraph your weaknesses as a writer.

Secret #2: 
IF IT’S NOT BELIEVABLE, IT DOESN’T BELONG.  

The narrative world is also shattered when an action, even if it’s impossible, becomes unbelievable. In writing circles it’s common to speak about the suspension of disbelief, but that phrase bothers me because it seems to imply that the reader approaches the story wanting to disbelieve and that she needs to somehow set that attitude aside in order to engage with the story. But precisely the opposite is true. Readers approach stories wanting to believe them. Readers have both the intention and desire to enter a story in which everything that happens, within the narrative world that governs that story, is believable. As writers, then, our goal isn’t to convince the reader to suspend her disbelief, but rather to give her what she wants by continually sustaining her belief in the story. The distinction isn’t just a matter of semantics; it’s a matter of understanding the mindset and expectations of your readers. Readers want to immerse themselves in deep belief. We need to respect them enough to keep that belief alive throughout the story.

Secret #3: 

IT’S ALL ABOUT ESCALATION.  

At the heart of story is tension, and at the heart of tension is unmet desire. At its core, a story is about a character who wants something but cannot get it. As soon as he gets it, the story is over. So, when you resolve a problem, it must always be within the context of an even greater plot escalation. As part of the novel-writing intensives that I teach, I review and critique participants’ manuscripts. Often I find that aspiring authors have listened to the advice of so many writing books and included an engaging “hook” at the beginning of their story. This is usually a good idea; however, all too often the writer is then forced to spend the following pages dumping in background to explain the context of the hook.

IN CONCLUSION

By consistently driving your story forward through action that follows naturally, characters who act believably, and tension that mounts exponentially, you’ll keep readers flipping pages and panting for more of your work.

 

The Tale of The Harpy – A Scary Short Story by K. D. Dowdall

 

 

 

 

 

 

 

 

 

I wish for a tropical breeze to lighten the intense humidity that hugs this August morning.  The porch, thank goodness, is high off the ground and the mildew on the screens somewhat block the steamy rays from the sun.  The sky is intensely blue and the ocean is still and quiet—waiting. I breathe in slowly through my nose and exhale gently through my mouth, waiting for what I know must come. I feel powerless to change my fate.

My notebook is before me and I stare at the cover, that I am unwilling to open.  I have been siting here now for what seems like hours trying to begin a story that I must tell.   I must make sense of it, at least in my own mind. Perspiration drips from the corners of my temples.  Tendrils of fading blond curls are damp across my forehead and I push them aside with the back of my hand.

The old mahogany rocking chair I sit in, with its old cane seat, presses into my bare legs making my skin feel sticky and I am sure that deep patterns are now embed on the backs of my thighs that might blister, courtesy of the mahogany chair.  I shift uncomfortably, and vow to retrieve a pillow from the sofa when next I rise.

The breeze I have been waiting for finally arrives like a soft whisper across my cheek and I turn my face toward its source, the sky and sea.  In the morning light, I open the notebook and stare at the empty pages, that are now somewhat damp from the humid air and I begin again searching for the right words, the truest of words. It will come to me…..I know it will. I close my eyes and I try to remember all of it

_____________________

 It began some years ago.  I was standing on this screened in porch with my cousin, Jordan. It was after the funeral of my great Aunt who willed me this beach house that sits comfortably overlooking the ocean.

The sky was a vivid blue and the sea was quiet, until quite suddenly, a quickly moving storm, crossed the horizon and blocked out the sun. Darkness came, and a whispered voice, close to my ear, spoke, “Dare ye not linger lest she bring a curse upon ye, child.”

I turned quickly to the voice, but no one was there. A chill went up my spine. I thought I had imagined it. Moments later, again, the disembodied voice spoke, “Dare ye not linger lest she bring a curse upon ye, child!” This time the voice was urgent and fearful.

I began to tremble with an unreasonable fear, of what—I did not know. I grabbed my cousin Jordan’s arm to plead with him to let us head for home. He took no notice of me and continued to stare at something that was standing beyond the gate. I turned to look and before us was something that could only have materialized out of a Grimm’s fairy tale.

An unearthly woman glared at me from beyond the gate, and her dark crystal eyes began to glow so brightly that the darkness disappeared around us. The hag-like woman, lifted by unseen wings, soared over the gate.

The whispering voice behind me suddenly gave out an ear-splitting scream that shook the floor where I stood. The hag-like apparition beyond the screened porch screeched with such an unearthly sound that I dared not move, even if I could. I was still holding Jordan’s arm and he turned to me as if to wonder what I was doing.

“Jordan,” I whispered, “What is that?”

“What is what, Ana?”

“You know, the old hag, the woman, Jordan.”

“Ana, there is no woman, only a light in the window from the cottage down the road, but there was nothing to it. Let’s go home.”

I was incredulous. Was I the only one who saw the woman and heard the unearthly screams?  My young cousins, Richie and Anise seemed not to be at all aware of what had happened as they played along the beach before me.

I couldn’t understand what was wrong with them and then once again, I heard the whispering voice behind me and I angrily turned to respond. The whispering apparition was floating in the air, now in front of me, her long dark hair was whirling around her head as though she was in the center of great storm, “Thou art hexed, forsaken in ye life, poor child,” she said. “I begged thee not to gaze upon the Harpy.”

The apparition’s voice was sad and low as she slowly vanished before me. The sky was once again blue, and the sea was quiet now. The storm was gone along with the screeching old hag.

______________________

The Mahogany chair is now hotter against my thighs as the chair begins to rock back and forth. I know she is coming. I look beyond the screened porch, knowing she will come. I see her now, the Harpy, she stands beyond the porch. Her dark crystal eyes glare at me, as her dark mane of hair blows in the dark storm she brings with her.

Another form appears on the porch, near me. It is the apparition, I now know as Nellie, who has been protecting me all of these years. The Harpy’s unholy screech suddenly pierces the air and in turn, Nellie’s high pitch scream drowns out all else.

Then it finally comes to me, the truest words: “Do not look at the creature, the Harpy. Do not listen to her screams, should you hear them, and abide this warning: Go as far away as you can, a quick as you can—for it is far too late for me.”

 

 

The Beautiful Words, A Poem by K. D. Dowdall

The beautiful words,

That ring so true,

Bring me but dark memories,

From a time and a place,

Best forgotten,

Yet always, just beneath,

The surface of a black night,

Filled with anguish and loss,

Of fear, trepidation, horror,

Not of this world,

Not now, I pray,

but then it crawled

Into being, by what force,

I know not,

They say, nonsense, but it lives,

Somewhere, now,

To come again,

To crush, destroy, all the goodness

The world has ever known.

The pinnacle has arrived,

Once again, we face, the face,

Of evil incarnate, we see it,

Daily,

but never acknowledge,

What we see,

We feign ignorance,

Deny what we see,

Yet, it creeps to our door,

Seeps under the floor,

The poison of its words,

It lies so beautifully.