A Very Special Book Review: My Vibrating Vertebrae: And Other Poems by Agnes Mae Graham

 

Agnes Mae Graham’s beautiful collection of rhyming poems, My Vibrating Vertebrae, is stunning. Like a brilliant jewel, her poems will take your breath away. Moments ago, I read the last poem, and I couldn’t wait to review this book of poetry, that did take my breath away. Agnes Mae Graham’s brilliant book of poetry gave me a sense of awe, incredulity, of the beauty, wit, charm, love, grace, and sorrow, with tears of joy too.

Agnes Mae Graham brings all of this beauty to each page of rhyme and rhythm with perfect beats that flow like cadence, lilt, and is music to one’s ear; it sets the stage for deeply felt and lived emotions that bring forth memories of a time lost to all, but those who lived it.

I laughed, I giggled, I felt joy and pain as her memories brought back memories of my own; of my father and mother who experienced similar moments in their lives as well, but the stories they once told are now gone forever. It was with great joy that I can now recall them through Agnes Mae Graham’s heartfelt poetry.

Each poem she writes is unique to a place and a time. Three of her poems are especially poignant for me, The Antrim Coast Road, Journey in an Aeroplane, and Panic, yet every poem will touch you deeply and bring you to that place and time.

It is fair to say, that this beautiful, heartfelt collection will be with me always. I give this book of poetry a 5 star review.

Agnes Mae Graham

Steve the Crossing Guard

Steve the Crossing Guard, a teacher-at-large, and his amazing gift to children.

A Teacher's Reflections

There are teachers, and there are remarkable teachers.  Steve the Crossing Guard is one of the remarkable teachers, and he doesn’t teach in a classroom. He teaches on the street at a school crossing.  The children at his crossing will often learn far more than they learn in the classroom.

I got an email from Steve the Crossing Guard at 6:39 AM.  It was titled,
“Boston Massacre 3/5/1770”.

The text simply said:

Yes, you bet we’ll discuss it, within the hour…

Have a great day!
Steve

WOW!

This is exactly what Steve the Crossing Guard does.  He is so excited for what’s to come, because he has planned questions and challenges for the students. The anticipation of knowing and then wanting to pass it on is the greatest feeling. Really.

At 8:01 PM that night, he emailed:

Jennie,

So much history tomorrow: Michelangelo’s bday; fall of the Alamo; Dred Scott…

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THE IMITATION GAME: Learning How to Be a Copy Cat!

THE IMITATION GAME: Learning How to Be a Copycat!

In Writer’s Digest magazine this month, I was stopped in my tracks, when I saw this article by Karen Krumpak. I thought…What?

But then reading on, I realized that this is what artists do all the time. The apprentice artists are required to copy their “Master’s work” in paintings, watercolor, and pastels. Okay, I thought, but how is copying, word for word, another author’s work going to help me? And is this a good idea? In my effort to understand this “Game”, I read on.

And, I then discovered that this is a practice game to improve writing skills. Great, I thought, I am hooked! It was a relief though, to know I wouldn’t be the only copycat. I was in good company: Jack London, Benjamin Franklin, and Hunter S. Thompson (I honestly don’t know who this man is or was.)

Next step: Learning to Copycat or rather finding a writer I love and want to copy, but, as I found out, this is not as easy as pie…it takes work! Work?? More work??

Okay…I am Game! (pun intended)

Ms. Karen Krumpak, the author of this article, states that “You will learn to have your own Voice and your own Distinctive Style!”  This sounded like magic to me, as I imagined my own Strong voice, and my own Distinctive style!

Or, would I be, “The New Copycat Killer of Words?” (secretly, I wondered if I would finally learn to properly use punctuation, and even learn how to use italics with confidence.) I have a secret love for italics—don’t ask me why, I don’t know. Italics are very pretty to look at, aren’t they?

The first thing is to sort through your personal library for a writer that you would love to imitate.  So, several hours later….I finally made a decision!

I chose a book with 870 pages: THE MISTS OF AVALON.  I figured that after 870 pages…I would really have my own Strong voice and my own Distinctive style! This would be the “Cat’s Meow” (Pun intended)!

This choice was perfect for me with my love of legends, fantasy, fairytales, and most of all, the Magic of Morgan Le Fay, in other words; the magic of a legends, and the magical saga of all the women behind King Arthur’s Throne. Ah Ha!  This is true…there are always women standing behind a man’s throne! (Just to be sure he didn’t forget anything. We women are so helpful.)

Next step: Learn how to be a Sherlock Holmes, but where is my Watson? Well, as Karen Krumpak states, “forcing yourself to impersonate another writer takes off the pressure of writing? Really? What pressure?

Soon, I am told, I will start reading like a writer. But, I do that already…maybe. Normally, I just read, for the pleasure of it. But, if I must, I will.

Soon, states Ms. Krumpak, I will learn to stretch my skills and improve my technique. This better work…if it doesn’t, well, I will have enjoyed immensely, re-reading The Mists of Avalon, just like a real writer reads a book. Good to know!

 

Critical Thinking: The 5 Factors that Earn 5 Star Reviews!

 

 

 

 

 

 

 

 

An excerpt from: Paul Goat Allen | March 12, 2018, Writer’s Digest. Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

Novelists live and die by reviews yet uncovering what garners a gushing ovation or blistering takedown is often a mystery. A professional critic lays out what it takes to earn five-star book reviews. For two decades I’d been working as a freelance genre fiction book critic for outlets such as BarnesandNoble.com, Publishers Weekly, Kirkus Reviews and the Chicago Tribune. After sharing my credentials with the group, some of the writers began telling stories about mediocre or bad reviews they’d received at different points in their careers from one or more of the companies I’d listed.

As a reviewer, not much has changed since then. I enjoy all genres and have reviewed thousands of titles in hundreds of sub-genres ranging from apocalyptic fiction to zombie erotica. (Yes, there’s such thing as zombie erotica.) In the end, genre categorization matters little to me—it’s all about the story. With that in mind, I decided to formalize a universal framework through which I process and analyze my various reading experiences. While there are undoubtedly specific narrative elements I look for in-particular-genres (pacing and tension level in thrillers, for example), there’s a pyramid of qualities—a Hierarchy of Needs, if you will—that I seek in every story. While highly simplified, it’s this structure that dictates whether I give a book a positive or negative review.

These five criteria will not only provide a glimpse into how a veteran book reviewer dissects and evaluates a novel but, hopefully, make you look at your writing in a different light. See for yourself: Does your work-in-progress have what it takes to earn a positive review?

The Book Reviewer’s Hierarchy of Needs: How to Earn Five-Star Book Reviews

  1. Readability

A book’s degree of readability is the base layer of my reviewer’s pyramid, and the foundation for any good story. The quality of a novel—narrative clarity, narrative fluidity, having a coherent storyline—is directly related to the number of times I put that book down. Some are so bad, so poorly written, that I struggle to get through a single paragraph without wanting to walk away. Others have such a fl uid plot that I find it virtually impossible to stop reading—Tad Williams’ The Witchwood Crown and Jim Butcher’s The Aeronaut’s Windlass being two such examples of utterly readable, page-turning novels.

I’ve read a lot of “unputdownable” books over the last few decades, and the vast majority of these all have something in common beyond a clear and fluid narrative: The stories have noticeably strong chapter beginnings and endings. It’s a small thing, but a great way to compel readers to keep reading. How can you put a book down when every chapter begins and ends with a cliffhanger sequence, bombshell plot twist or powerful statement? When I consistently find these elements in a novel, I know the author fully understands the significance of readability.

Conversely, novels that aren’t as readable—that are poorly written with awkward sentence structure, a confusing storyline, weak chapter beginnings and endings—are almost asking to be tossed aside. This may sound obvious, but if you can’t compel a reader to read your story, then you need to focus more on your craft before penning another book.

  1. Immersion

I define immersion as the ability for me, the reader, to not only lose myself in a novel (I call these “stay-up-all-night-till-your-eyes-bleed” reads) but to experience the story intimately, living vicariously through the characters. This trick is accomplished through a continued focus on setting, rich description and atmospherics. I don’t want to experience the story as a detached viewer looking down at what’s happening—I want to feel like I’m in the story.

The litmus test for this is easy. If I become so engaged with a book that I lose track of time—if I glance at the clock and hours have passed by—you’ve succeeded in drawing me fully into your read. Writers who are absolute immersion masters (think Cherie Priest, Justin Cronin, Charlaine Harris) are so good at captivating description that weeks, months and oftentimes years after reading their novels I can still vividly recall specific scenes.

This layer is where many writers stumble, and here’s why: While they may excel at world-building and meticulous description at the beginning of a novel, once the action and adventure ramps up, they not only lose focus but completely ignore description altogether. I’ve seen this happen countless times in every genre: rich description for the first 100 pages or so, then almost nothing in the final 200. It’s called literary escapism for a reason. If I can’t lose myself in a read—from beginning to end—then I haven’t fully escaped. Writing the Intimate Character: Create Unique, Compelling Characters Through Mastery of Point of View

  1. Character Depth and/or Plot Intricacy

Three-dimensional, interesting and identifiable characters bring emotional connectivity and intensity to the read. If your readers aren’t emotionally invested in your characters, then the narrative impact of your story is inevitably going to be negatively impacted. Emotions wield power. If you can bring your readers to tears, make them laugh out loud or scare them to the point of checking under the bed, then you’ve succeeded on some level.

Creating authentic characters to whom readers can relate is a solid achievement—but an obvious word of warning: Stay clear of clichés and stereotypes. Overused conventions—like the Chosen One in fantasy who is consistently a white male, or the emotionally damaged billionaire entrepreneur in erotic fiction who needs to sexually dominate his love interest—even if brilliantly rendered, will underwhelm and disappoint more than a few readers (and reviewers).

Now, the reason I include an “and/or” between character development and plot intricacy is because, in some rare cases (particularly in mainstream thrillers), a novel with an impressively knotty storyline can still succeed with relatively cardboard characters.

Which is why plot intricacy is key: Why read a novel where you can accurately predict what’s going to happen after a few chapters? (I do that quite often. After reading the first chapter or two, I’ll jot down a prediction in my notes. You’d be surprised how many times I’ve guessed the ending correctly.) I just finished reviewing a brilliant historical mystery for Publishers Weekly that was filled with so many plot twists I was left guessing until the last few pages. It doesn’t matter if you’re writing a fantasy or a thriller or a romance—the plot has to be intricate enough to keep your reader simultaneously engaged and a bit off balance.

  1. Originality and Innovation

This one ties in with embracing originality, be it atypical characters or unconventional story structure. So many books out there today are built upon unoriginal, rehashed, derivative storylines. I read a lot. And I get bored easily, especially when reading the same basic story arc again and again. My advice? Don’t play it safe. Write a story that you’ve never read before. In a 2016 Goodreads interview I conducted with fantasy novelist Michael J. Sullivan, author of Age of Myth, he said,

“It doesn’t matter if it’s been done before. It just matters if it’s being done well now.”

I love that quote. Just because something has been done before doesn’t mean it can’t be re-envisioned or reimagined but be innovative—put a new twist on an old mythos, turn a stereotype on its head. Have the courage to be creative!

  1. Thematic Profundity

In the introduction to the 2006 reissue of Walter M. Miller Jr.’s 1960 Hugo Award–winning classic, A Canticle for Leibowitz, Mary Doria Russell writes, “You’ll be different when you finish it.” That’s my hope for every novel I pick up—that within the story there will be a kind of spiritual and/or existential wisdom, a kind of revelation or insight that will change the way I look at myself and the world around me.

A novel that holds this kind of thematic power—as well as the other elements in the Hierarchy of Needs—will get a starred review from me every time. Stories, no matter the genre, have the power to change lives. Novels like Andreas Eschbach’s The Carpet Makers, Margaret Atwood’s The Handmaid’s Tale and Yevgeny Zamyatin’s We have irrevocably changed who I am. After all, that’s the ultimate goal, right? To write a commercially successful and critically acclaimed novel that is both entertaining and enlightening.

Evaluating a novel is a cumulative process. Those with masterful character development but zero immersion will still receive a poor review, for example, while a thematically profound read with excruciatingly bad readability will receive a terrible review.

May this Hierarchy of Needs not only make you more aware of how your writing is experienced by readers—and jaded book reviewers like myself—but also offer up a few invaluable insights that can be used to improve your craft. Who knows, maybe my next starred review will be yours.

Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

 

 

Three Fiction Lead Magnet Ideas

3 Fiction Lead Magnet Ideas at  https://buildbookbuzz.com/

Posted on July 18, 2018 by Sandra Beck with fiction lead magnet  

“Lead magnet” is a marketing term for the gift you give readers as an incentive to add themselves to your email list. Think of it as an ethical bribe.

This isn’t optional. To get people to sign up to receive occasional author updates or a regular newsletter, you need to offer them a free, downloadable gift. It has to be something your readers, fans, or audience need or want.

My primary lead magnet is a one-page PDF file with my “Top 5 Free Book Promotion Resources.” Authors receive it when they complete the form on the right side of this screen or on a page I’ve created specifically for that purpose — a “landing page.”

The big question for you is: What should I offer as my incentive?

Not an easy question for novelists That question is easier for nonfiction authors to answer than it is for novelists. Nonfiction authors can create quizzes, templates, cheat sheets, and samples, among other options. More often than not, if they’re using any kind of lead magnet, fiction writers are using a sample chapter. But is that your only option?  Nope. Here are a few suggestions to get you thinking.

Fiction lead magnet idea #1: How to do something.

Bear with me on this. It’s possible. When I read Jane Green’s Saving Grace, which made frequent references to food that sounded delicious, I wanted the recipes. I wanted them so badly that I searched for them online. Unfortunately, she didn’t provide them.If Green had offered a collection of recipes featured in that book as a lead magnet for her list, I would have “opted in” — marketing-speak for “added myself to her list” — without thinking twice.

Fiction lead magnet 2 T

The author of The Language of Flowers could create a one-page illustrated guide to flowers as symbols (daisy is innocence, calla lily is passion, aster is wisdom, etc.).And how about a tongue-in-cheek sheet of instructions for “how to be a crazy rich Asian” to go along with the Crazy Rich Asians trilogy? It’s not that hard after all, right?

Fiction lead magnet idea #2: A cheat sheet

Imagine a lead magnet for How to Make an American Quilt that offers the best quilting tips from top quilters — even though it isn’t a nonfiction how-to quilting book.

If you’ve read Dan Brown’s Angels & Demons, you can appreciate how a map of the Vatican or a guide to Bernini’s art might have enhanced your story enjoyment. You’d add yourself to his mailing list to get that, right? If you write fantasy novels with many characters with unusual names, consider creating a one-page PDF character guide with names and descriptions. It will be a Godsend to fans who read in many small units of time rather than in long sittings.

Fiction lead magnet #3: Your book’s first chapter

This is the go-to option for most novelists. It’s what most recommend doing not because it’s the only idea they can think of, but because it’s the easiest to offer and implement. Just save your first chapter as a PDF file and set it up in your system for downloading.It’s a smart option because it lets readers sample your storytelling and writing skills. (Because of that, if you’re not a good writer, this could work against you.) Because it will help readers who aren’t yet familiar with you take your book for a test drive, it’s a solid option for first-time novelists.If you’re a seasoned writer with an established fan base, though, start getting creative with options one and two. You’ll have more fun with it, and so will your readers.

Creating your lead magnet

You can create an attractive, effective lead magnet with low-cost resources. I’ve used each of the following:

Fiverr Fiction lead magnet 3

On Fiverr site (and that’s my affiliate link), search for “lead magnet design.”To make sure you have a vision for what you want your designer to create, I recommend adding yourself to lots of email lists that offer lead magnets so you can see what fiction lead magnet 4 other people are doing.Your other option is to scroll through the design samples offered by Fiverr designers to find something that resonates with you and your book’s personality. In general, I find that I get the best results on Fiverr when I can give the designer an example of the type of look I’d like to have.

Designrr

Designrr is my new favorite toy, and because of that, this is also my affiliate link. I paid $27 for this web-based software that lets me take content I’ve already created on my blog, in  a Word file, on Facebook, or on a web page — and turn it into a range of end products. When I wanted to create a special free gift for a conference I spoke at recently, I used Designrr to turn a blog post into a short report. The nerd in me enjoyed exploring the templates and imagining the many design options for the audience handout.

****You’ll get a PDF as well as a URL that houses the PDF. Give that URL to people who add themselves to your list.

Canva: http://www.canva.com

fiction lead magnet 5

While Canva is free, if you aren’t familiar with it already, it will be your most time-intensive option as you review templates and learn how to customize or replace elements. On the home page, select “more”  in the upper right, then scroll down to documents, blogging and e-books, marketing materials, and events. Click around each collection to find something that speaks to you. “A4 document” in the “documents” collection and “announcement” in the “events” collection are both good starting points.

Need a lead magnet idea for your book? Join the Build Book Buzz book marketing group on Facebook and start a discussion. Tell us you’re looking for help with a lead magnet idea, provide your book title, and give us a short book description. Let’s rally the troops to help you if you need it!

What are you using as an incentive to get people on your list? Tell us in a comment.

The Beautiful Words, A Poem by K. D. Dowdall

The beautiful words,

That ring so true,

Bring me but dark memories,

From a time and a place,

Best forgotten,

Yet always, just beneath,

The surface of a black night,

Filled with anguish and loss,

Of fear, trepidation, horror,

Not of this world,

Not now, I pray,

but then it crawled

Into being, by what force,

I know not,

They say, nonsense, but it lives,

Somewhere, now,

To come again,

To crush, destroy, all the goodness

The world has ever known.

The pinnacle has arrived,

Once again, we face, the face,

Of evil incarnate, we see it,

Daily,

but never acknowledge,

What we see,

We feign ignorance,

Deny what we see,

Yet, it creeps to our door,

Seeps under the floor,

The poison of its words,

It lies so beautifully.

 

 

 

 

Anwen and Aodhan, A Celtic Short Story by K. D. Dowdall

 

 

 

 

 

 

 

 

 

 

 

(this is a previous post I did from 3 years ago)

The year is 500 A.D. in the wilds of Ireland where Druid kings rule and the Gods and Goddesses speak to the high priests in each tribe throughout the land. It is a time when lives depended on the spirits in Oak trees, Standing Stones, and nature’s creatures to guide with wisdom, each of the lives of every member of each tribe. Through the magic of Runes, each inscribed with ancient symbols, the future is foretold.

Anwen, a Celtic maiden, named for her beauty, as custom demands, is assigned at birth to marry a local Chieftain. She grew up to become a beautiful and desirable maiden. Anwen did not wish to marry the much older Chieftain of her tribe, Cathal, a powerful warrior. This was not because she was childish or selfish. It was in a dream she was told of her true love that existed somewhere in the land of her ancestors.

Her years went by and still she dreamed, although by now, she had married the older chieftain and bore him a son and a daughter. Anwen, now the healer of the tribe with powers given to her by the Goddesses dutifully went about her healing with love and care, yet inside, her deep loneliness cried out to the Goddesses to grant her the power to see her true love that she had dreamed of all of her life.

On a star-filled Beltane evening, with all the neighboring tribes celebrating together the rituals of fertility and renewal, they gathered around the high priest and the great wooden tower of fire to give prayers to the Gods and Goddesses for a bountiful year. Suddenly, as Anwen watched the Beltane fire as though the flames would reach the stars and out shine them, she felt a knowing, a certainty. Her true love was near, and her heart fluttered with joy.

Aodhan, a Chieftain from the farthest reaches of the land, arrived with his fellow tribesmen and women to Celebrate Beltane and unity with all the other tribes. Aodhan, a widower with no children, was father to all, in his small tribe in the far away mountains by the northern sea.

For Aodhan, named for Ireland’s ancient spirits of fire and light had the power of knowing, this, his gift from the Gods. He watched the other tribal revelers be enraptured by the tower of fire, as the flames roared and filled the night sky, Aodhan felt the terrible power of this omen, of things to come. Aodhan, looked at the moon, as a flicker of blood red crossed its path, foretelling brutal future. It bodes ill for the coming times.

Aodhan turned his back to the celebration and saw the most beautiful maiden that made his heart beat wildly. She was smiling at him as though she knew him, had known him and he felt this longing, a life time of longing and knew she was that need in him, his true love.

Aodhan approached her as though he had known her since the heavens formed the sky and starlight was born. He held out his hand and she hers. They held each other knowing without saying a word that they had at last found each other. The Goddesses had answered Anwen’s prayers.

As they held each other and gazed deeply into each other’s soul, memories long forgotten of centuries passed filled their being, knowing they had lived and loved before and that they would again one day, in another life. Their lips touched, but once, and their souls embraced and for that moment, they were one, Anwen the beautiful and Aodhan of fire and light.

The night hurried by as they sat on a hillside, looking at the stars until the morning sun crested the Celtic hills with colors of lavender, pink, and gold that bloomed across the sky. Anwen and Aodhan’s fingertips parted with the dawn light and both slowly turned away from each other, knowing their time would come in whatever future the Gods and Goddesses deemed for them. It was enough, this gift of knowledge, knowing that a future life would bring to them, an eternal embrace until the end of time.