Ideas for Guest Blog Posts about your novel #MondayBlogs #AmWriting #Marketing

D. E., thank you so much for posting these wonderful suggestions for blogging posts! You are a life saving for many of us bloggers that are writing novels too and find time is a precious commodity.

D.E. Haggerty

I try to blog three times a week, but sometimes I can’t come up with a blog idea for the life of me. And then there’s those blog tours that want guest blog posts. Of course, I’m a glutton for punishment and also offer to write blog posts for other blogs to promote my books. Help! Calgon take me away!

calgon take me away

I don’t have a bathtub so Calgon is never going to take me away. Instead, I’ve developed a list of ideas to use for blog posts about my book. And because I’m super supportive of my fellow writers (but mostly because I couldn’t come up with an idea for today’s blog post), I’m going to share my list with you. Here goes:

Character Interview. Tried and tested. Never fails.

Five Things You Didn’t Know About (Protagonist). I find this one more fun than doing a character interview.

10 Items…

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Critical Thinking: The 5 Factors that Earn 5 Star Reviews!

An excerpt from: Paul Goat Allen | March 12, 2018, Writer’s Digest. Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

Novelists live and die by reviews yet uncovering what garners a gushing ovation or blistering takedown is often a mystery. A professional critic lays out what it takes to earn five-star book reviews. For two decades I’d been working as a freelance genre fiction book critic for outlets such as BarnesandNoble.com, Publishers Weekly, Kirkus Reviews and the Chicago Tribune. After sharing my credentials with the group, some of the writers began telling stories about mediocre or bad reviews they’d received at different points in their careers from one or more of the companies I’d listed.

As a reviewer, not much has changed since then. I enjoy all genres and have reviewed thousands of titles in hundreds of sub-genres ranging from apocalyptic fiction to zombie erotica. (Yes, there’s such thing as zombie erotica.) In the end, genre categorization matters little to me—it’s all about the story. With that in mind, I decided to formalize a universal framework through which I process and analyze my various reading experiences. While there are undoubtedly specific narrative elements I look for in-particular-genres (pacing and tension level in thrillers, for example), there’s a pyramid of qualities—a Hierarchy of Needs, if you will—that I seek in every story. While highly simplified, it’s this structure that dictates whether I give a book a positive or negative review.

These five criteria will not only provide a glimpse into how a veteran book reviewer dissects and evaluates a novel but, hopefully, make you look at your writing in a different light. See for yourself: Does your work-in-progress have what it takes to earn a positive review?

The Book Reviewer’s Hierarchy of Needs: How to Earn Five-Star Book Reviews

  1. Readability

A book’s degree of readability is the base layer of my reviewer’s pyramid, and the foundation for any good story. The quality of a novel—narrative clarity, narrative fluidity, having a coherent storyline—is directly related to the number of times I put that book down. Some are so bad, so poorly written, that I struggle to get through a single paragraph without wanting to walk away. Others have such a fl uid plot that I find it virtually impossible to stop reading—Tad Williams’ The Witchwood Crown and Jim Butcher’s The Aeronaut’s Windlass being two such examples of utterly readable, page-turning novels.

I’ve read a lot of “unputdownable” books over the last few decades, and the vast majority of these all have something in common beyond a clear and fluid narrative: The stories have noticeably strong chapter beginnings and endings. It’s a small thing, but a great way to compel readers to keep reading. How can you put a book down when every chapter begins and ends with a cliffhanger sequence, bombshell plot twist or powerful statement? When I consistently find these elements in a novel, I know the author fully understands the significance of readability.

Conversely, novels that aren’t as readable—that are poorly written with awkward sentence structure, a confusing storyline, weak chapter beginnings and endings—are almost asking to be tossed aside. This may sound obvious, but if you can’t compel a reader to read your story, then you need to focus more on your craft before penning another book.

  1. Immersion

I define immersion as the ability for me, the reader, to not only lose myself in a novel (I call these “stay-up-all-night-till-your-eyes-bleed” reads) but to experience the story intimately, living vicariously through the characters. This trick is accomplished through a continued focus on setting, rich description and atmospherics. I don’t want to experience the story as a detached viewer looking down at what’s happening—I want to feel like I’m in the story.

The litmus test for this is easy. If I become so engaged with a book that I lose track of time—if I glance at the clock and hours have passed by—you’ve succeeded in drawing me fully into your read. Writers who are absolute immersion masters (think Cherie Priest, Justin Cronin, Charlaine Harris) are so good at captivating description that weeks, months and oftentimes years after reading their novels I can still vividly recall specific scenes.

This layer is where many writers stumble, and here’s why: While they may excel at world-building and meticulous description at the beginning of a novel, once the action and adventure ramps up, they not only lose focus but completely ignore description altogether. I’ve seen this happen countless times in every genre: rich description for the first 100 pages or so, then almost nothing in the final 200. It’s called literary escapism for a reason. If I can’t lose myself in a read—from beginning to end—then I haven’t fully escaped. Writing the Intimate Character: Create Unique, Compelling Characters Through Mastery of Point of View

  1. Character Depth and/or Plot Intricacy

Three-dimensional, interesting and identifiable characters bring emotional connectivity and intensity to the read. If your readers aren’t emotionally invested in your characters, then the narrative impact of your story is inevitably going to be negatively impacted. Emotions wield power. If you can bring your readers to tears, make them laugh out loud or scare them to the point of checking under the bed, then you’ve succeeded on some level.

Creating authentic characters to whom readers can relate is a solid achievement—but an obvious word of warning: Stay clear of clichés and stereotypes. Overused conventions—like the Chosen One in fantasy who is consistently a white male, or the emotionally damaged billionaire entrepreneur in erotic fiction who needs to sexually dominate his love interest—even if brilliantly rendered, will underwhelm and disappoint more than a few readers (and reviewers).

Now, the reason I include an “and/or” between character development and plot intricacy is because, in some rare cases (particularly in mainstream thrillers), a novel with an impressively knotty storyline can still succeed with relatively cardboard characters.

Which is why plot intricacy is key: Why read a novel where you can accurately predict what’s going to happen after a few chapters? (I do that quite often. After reading the first chapter or two, I’ll jot down a prediction in my notes. You’d be surprised how many times I’ve guessed the ending correctly.) I just finished reviewing a brilliant historical mystery for Publishers Weekly that was filled with so many plot twists I was left guessing until the last few pages. It doesn’t matter if you’re writing a fantasy or a thriller or a romance—the plot has to be intricate enough to keep your reader simultaneously engaged and a bit off balance.

  1. Originality and Innovation

This one ties in with embracing originality, be it atypical characters or unconventional story structure. So many books out there today are built upon unoriginal, rehashed, derivative storylines. I read a lot. And I get bored easily, especially when reading the same basic story arc again and again. My advice? Don’t play it safe. Write a story that you’ve never read before. In a 2016 Goodreads interview I conducted with fantasy novelist Michael J. Sullivan, author of Age of Myth, he said,

“It doesn’t matter if it’s been done before. It just matters if it’s being done well now.”

I love that quote. Just because something has been done before doesn’t mean it can’t be re-envisioned or reimagined but be innovative—put a new twist on an old mythos, turn a stereotype on its head. Have the courage to be creative!

  1. Thematic Profundity

In the introduction to the 2006 reissue of Walter M. Miller Jr.’s 1960 Hugo Award–winning classic, A Canticle for Leibowitz, Mary Doria Russell writes, “You’ll be different when you finish it.” That’s my hope for every novel I pick up—that within the story there will be a kind of spiritual and/or existential wisdom, a kind of revelation or insight that will change the way I look at myself and the world around me.

A novel that holds this kind of thematic power—as well as the other elements in the Hierarchy of Needs—will get a starred review from me every time. Stories, no matter the genre, have the power to change lives. Novels like Andreas Eschbach’s The Carpet Makers, Margaret Atwood’s The Handmaid’s Tale and Yevgeny Zamyatin’s We have irrevocably changed who I am. After all, that’s the ultimate goal, right? To write a commercially successful and critically acclaimed novel that is both entertaining and enlightening.

Evaluating a novel is a cumulative process. Those with masterful character development but zero immersion will still receive a poor review, for example, while a thematically profound read with excruciatingly bad readability will receive a terrible review.

May this Hierarchy of Needs not only make you more aware of how your writing is experienced by readers—and jaded book reviewers like myself—but also offer up a few invaluable insights that can be used to improve your craft. Who knows, maybe my next starred review will be yours.

Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

 

 

A Review: Wicca Girl, The Flowering

 

 

 

 

 

This story is a heartfelt journey of the present and past world of wise women, often referred to is Wicca Healers that were mercilessly hunted, tortured and executed for witchcraft. Califia Montalvo, the author, weaves a story rich with complex characters, mystery and suspense. The protagonist is Simi, a young girl who is mystified at the supernatural events that occur and appear to be connected to her. As she matures into womanhood she learns to harness this ability to create forces that can change people’s lives. She eventually learns of a surprising explanation of why hers is a life always at the forefront of what appears to be mysterious paranormal events.

There are journeys in this engaging story that relate to the present, in times past, throughout history, that enfold into the story regarding the treatment of women healers during the time of the witch trial executions that lasted over a hundred years, where tens of thousands of women healers were burned at the stake. This historical matter adds to the complexity of the story in a well-thought out manner.

Montalvo’s story is a plethora of fascinating details regarding the women that were persecuted for their intelligence, their communion with nature, and what others saw as inexplicable knowledge deemed mysterious, even evil, as they used their ability heal others. I found this novel to be well-written with interesting details that made me glad I did not live in an early time when any woman could be charged with witchcraft. I highly recommend The Wicca Girl, the Flowering.

 

A Review: Wicca Girl, The Flowering

 

 

 

 

 

This story is a heartfelt journey of the present and past world of wise women, often referred to is Wicca Healers that were mercilessly hunted, tortured and executed for witchcraft. Califia Montalvo, the author, weaves a story rich with complex characters, mystery and suspense. The protagonist is Simi, a young girl who is mystified at the supernatural events that occur and appear to be connected to her. As she matures into womanhood she learns to harness this ability to create forces that can change people’s lives. She eventually learns of a surprising explanation of why hers is a life always at the forefront of what appears to be mysterious paranormal events.

There are journeys in this engaging story that relate to the present, in times past, throughout history, that enfold into the story regarding the treatment of women healers during the time of the witch trial executions that lasted over a hundred years, where tens of thousands of women healers were burned at the stake. This historical matter adds to the complexity of the story in a well-thought out manner.

Montalvo’s story is a plethora of fascinating details regarding the women that were persecuted for their intelligence, their communion with nature, and what others saw as inexplicable knowledge deemed mysterious, even evil, as they used their ability heal others. I found this novel to be well-written with interesting details that made me glad I did not live in an early time when any woman could be charged with witchcraft. I highly recommend The Wicca Girl, the Flowering.

 

THE LIFE HE LEADS

P40-Edeka-800x500
The life He Leads

Is far removed

From where he goes

Within his head,

He tends his garden

And stooping low

Thinks of those who use to be

But now are gone,

His thoughts travel far

Back to ‘42

Oh, that was a year

Wasn’t that what mama said?

Two babies in diapers

One in short pants

And they was always

A-hankerin to be fed

There was a wreck in ‘52

He lost one baby and mama too

On a city street

Their life’s blood bled

He squints his eyes, shuffles inside,

Stands before their pictures,

Side by side and thinks tomorrow

Maybe he won’t get out of bed.

 

Copyright @1995 Kathy Lauren Miller

 

A Poem From the Novel, “InHabited”

Beautiful-Winter-Dreams-For-You-Princess-3-daydreaming-27746368-395-400THE FORTUNES OF TIME 

Forget you, how could I?

Does the sun fall from the sky?

Does the rain no longer pour,

On the wasteland of my heart?

Should the wind no longer blow,

Across the sea of my emotions?

Never, never,

For you are always with me,

With every sigh,

With every tear,

That falls and drowns

The sorrow of our parting,

Until, until,

Through the epochs of time,

We shall meet again,

To love once more.

 

…. From the novel, by K D Dowdall, “InHabited”

Copyright @ K D Dowdall, 2016

 

 

RIDDLE The Seeker Chronicles Book I

RIDDLE The Seeker Chronicles Book I - Copy

A new book coming out in  January 2017 by K. D. Dowdall.  Separated from his parents who never believed he belonged to them, Riddle, was on his own. He was sent far away to a very strange and mysterious land to live with an odd old Aunt that has plenty of mysterious secrets, sees Riddle as the perfect foil for her own nefarious plans. Riddle grows up to have strange powers. His Aunt sends him on a dangerous quest and in the process Riddle seeks to find out who he really is, if he can only find ….

Riddle, The Seeker Chronicles Book 1

Copyright © 2017 K. D. Dowdall