I found “Your Novel Blueprint” on Writer’s Digest, it is a book by Karen Wiesner. It is a very useful and very complete guide from start to finish. I am posting the first couple of pages and then a link to her article (10 pages) and also her book can also be purchased there. Read the article and then see if it is for you. I loved it.
You can find Karen Wiesner on Writer’s Digest http://www.writersdigest.com/online-editor/your-novel-blueprint
Writing a novel and building a house are similar when you think about it. For instance, most builders or homeowners spend a lot of time dreaming about their ideal houses, but there comes a time when they have to wake up to the reality of building by analyzing what they expect from a house, and whether the plans they’ve selected will meet their needs. Architects argue that it’s better to build from the inside out.
This is where a home plan checklist comes in handy. This list assembles the key considerations to keep in mind when deciding on a plan, including what are called external monologues, relating primarily to the outside of a house and its environment, and internal (interior) monologues. (The word monologue, in building, refers to a single facet of overall composition on the inside or outside of a house, such as flooring material or landscaping aspects.) Writers spend a lot of time dreaming about their ideal story. Eventually they have to face reality and analyze whether or not the story will work. Authors, too, usually build from the inside out—in other words, they know what they want at the heart of their stories and they build around that.
This is where a Story Plan Checklist becomes essential, because it targets the key considerations necessary when building a cohesive story that readers will find unforgettable. The checklist has basic external and internal monologues. Monologue, in writing, refers to a single facet of overall composition concerning the internal or external elements, such as conflict and motivation. Generally, these are composed individually in free-form summaries, but they need to develop and grow cohesively.
The Story Plan Checklist can ensure cohesion between character, setting and plot. This checklist connects all the dots between internal and external conflicts, and goals and motivations, thereby guaranteeing the cohesion all stories require. In its most simplified form, a Story Plan Checklist—which you can find an example of at writersdigest.com/article/first-draft-finish-novel—includes free-form summaries (or monologues) covering each of the following:
PART I: THE BASICS
- Working Title
• Working Genre(s)
• Working Point-of-View Specification
• High-Concept Blurb
• Story Sparks
• Estimated Length of Book/Number of Sparks
PART II: EXTERNAL MONOLOGUES
- Identifying the Main Character(s)
• Character Introductions
• Description (outside POV)
• Description (self POV)
• Occupational Skills
• Symbolic Element (character and/or plot-defining)
• Setting Descriptions
PART III: INTERNAL MONOLOGUES
- Character Conflicts (internal)
• Evolving Goals and Motivations
• Plot Conflicts (external)
I call this list a Story Plan Checklist not only because of its correlation with a home plan checklist, but because if you haven’t considered each of these areas, written something solid about them and checked them off, your story may not be fully fleshed out and cohesive enough. Sooner or later, the basic structure will begin to fall apart.
While you’re in the beginning stages of forming a story plan, sit down and figure out some of the working details (which may change throughout the process).
TITLE AND GENRE SPECIFICATION
First, come up with a preliminary title. All you need here is something to reference the project. While you don’t want to lock in your genre too early (stories evolve in unpredictable ways), get started with genre specification. For now, list all the genres this story could fit into.
Now, start thinking about what point of view you want to use for your book. It’s very important to start your Story Plan Checklist with this because the identities of your main characters will play a huge part in your characterization and, subsequently, each of the areas you’ll be summarizing on your checklist. Most stories spark with a character who may end up becoming your main character. Your best bet for deciding which character’s viewpoint to use: In any scene, stick to the view of the character with the most at stake—the one with the most to lose or gain.
The high-concept blurb is a tantalizing sentence—or a short paragraph with up to four sentences (one or two is ideal)—that sums up your entire story, as well as the conflicts, goals and motivations of the main character(s). It’s no easy task. Here’s a simplified explanation of what your sentence needs to contain:
A character (the who) wants a goal (the what) because he’s motivated (the why), but he faces conflict (the why not).
Or you can simply fill in the blanks—whichever works best for you:
(name of character) wants (goal to be achieved) because (motivation for acting), but she faces (conflict standing in the way).