(Source: dollarsandsense.sg) #1 The Secret Of Becoming Mentally Strong (Speaker: Amy Morin) “Good habits aren’t enough. It only takes one or two small habits to really hold you back.” Amy Morin starts off by sharing how everyone has a friend that seems to have a perfect life, and how we kind of don’t like that […]
It is a wonderful thing to suddenly find a beautifully unique and extremely talented Poet, Palabras Delmar (Delia) who writes with such raw heart, rich in deeply felt emotion that is real, honest, deep from within her heart and gut. Breath-taking and stunning. via https://artemisdelmar.wordpress.com
Underneath my pale skin-
below my white concealment
the spirit of;
Through a Caribbean echo;
the dormant beats of island sounds.
The darker skins that preceded me.
The caramel flesh my daughters possess; the tangled hair that sits on their head
my ghost-like flesh and their mixed tones;
Show an Afro-Caribbean-Indian-European mix.
pounding out the tears,
of the island’s sing-song melody.
Composed with time;
two worlds collide;
to produce the American in me.
Far from the Madding Crowd is the first of Hardy’s novels to gain him widespread popularity. What can one say about the incredible writing of Thomas Hardy. This story is lavish and romantic with characters that are unforgettable. The historical details are rich in nuance and fascinating for the period. Hardy’s use of the English language is exquisite. When readers discover Thomas Hardy they always comment, “I fell in love with 19th Century English literature because of Thomas Hardy.” And, so did I.
The Story is set against the backdrop of the beautiful landscape in Wessex, England. The overall theme of the story questions rural values and is striking for its singular sensibility. The story revolves around Bathsheba Everdene and her suitors, as well as the Bathsheba’s difficulties managing a large farm. One of her suitors, Gabriel Oak is attracted to the very modern sensibility of the independent and spirited Bathsheba. She is also charming, beautiful and vain. However, he must compete with the roguish and dashing soldier, Sergeant Troy, and the wealthy, respectable, middle-aged Farmer Boldwood. While their fates depend upon the choice Bathsheba makes, she must learn the consequences of vain flirtations with all three.
“A death in the family finds 32 years-old anthropologist, Lilly Allaire, returning to her hometown to solve a deadly mystery that has haunted her since childhood.”
Lilly Allaire returns to her hometown after the unexplained death of her cousin, Dax. Both suffered a traumatic psychogenic event as teens that left them with no memory of the event. Lilly is determined to solve the mystery with her childhood friend, Noah. She falls in love with him, but she is suspicious of his past. Was he somehow evolved and is her life at risk?
By: Brian A. Klems | April 20, 2017
There are a lot of challenges and rewards to being an author, and one of the greatest (and sometimes brutal) challenges is getting published. I think we’ve all seen people magically picked up by publishers out of nowhere, but my experience is that they usually know someone in the business. For me, it was a slog that took more than ten years and hundreds of rejections from agents and editors.
Then, in the past two and a half years, I signed contracts for fourteen books with three different publishers. Eight of the books are out now, and the rest will be out shortly. When people think that because I started selling books in my twenties I must have somehow cheated to get ahead, I tell them my history: I started submitting to agents and editors when I was in middle school. I was already writing novels then, and despite having a growing readership and being highlighted by the Los Angeles Times at the age of 14, I was still up for years of constant rejection. That’s how hard of a business this is, and it shows that if you want to write, never give up.So, if you’ve been submitting and not getting anywhere, here are some suggestions of things you can do instead of giving up, and all these things can help you on your path to publication.
One of the most important things I learned — and one of the things I used to resist most — is revising. If your book is being rejected, it might not be because it’s a “bad” book. It might just be it needs some revising, because all books do. For me, revising often means cutting back so that the prose moves smoothly. Don’t say something in a paragraph you can say in a sentence. It sometimes can also mean adding to a scene because its full meaning isn’t there yet. There are freelance editors out there (some of whom worked as professional editors for publishers beforehand) who will help you edit. This can be expensive, though, so there are also options of joining writers’ groups in person or online. You can also talk to people you know who are knowledgeable about your genre, as long as they’re also willing and able to give you good constructive criticism.
- Publish elsewhere
Even if you can’t get your book published (yet), that doesn’t mean you can’t publish elsewhere to build up your résumé. When I was in high school, I started writing for a local newspaper. I’d take these articles and send them to bigger places, showing them that I was a professional writer and could work for them, too. By doing this, I eventually worked my way up to writing for MTV, CNN, The Onion, Publishers Weekly and Booklist, among other places. Once agents and editors see that big-name places are willing to hire you, they pay more attention. (A lot of these places I got into initially by writing about manga for them — I have an interest in Japanese comics and they needed people to cover this. Your interests might be what you can sell, which is win-win.) But keep in mind I didn’t reach MTV overnight — I started out with that local paper and kept moving up. Blogging is also a way to potentially get your name out there. It doesn’t necessarily have the same oomph to publishers as a paying market, but if you get enough followers, publishers ought to take heed.
- Build a Platform
Publishers and agents often say they want to see a platform. In other words, they want to see you brand yourself and have followers. While working on your book and submitting, find good ways to get yourself known. Publishing elsewhere (see above) can be a useful move for this part, but it’s not limited to that. Some people also use social media to build their own platform by finding an audience there. Other people have gotten attention through important work that they do. This is quite limitless.
Book conventions are a great place to network, because there unfortunately is truth to “It’s not what you know, it’s who you know.” However, I couldn’t afford to travel and go to conventions, and I know many writers have this same issue. So almost all the networking I did was online, and LinkedIn was especially useful. I would ask someone to link with me, and if they did, I’d send a brief and polite message thanking them, telling them a little about myself (a sentence or two will due) and saying I’d be interested in networking. Don’t just make it about you — help them, too. A lot of times I would help publicize work of theirs I admired for one of the places I wrote for, so it’s mutually beneficial. The best business, I believe, comes from helping one another.
- Have More Than One Project
I was writing full-time for MTV, freelancing for other publications and submitting a YA novel through my agent . . . when I sold my first book, which wasn’t the YA one. It was actually a book on manga, based on my background reviewing, reporting, adapting and editing manga. Sometimes the things that get you in the door are not the things you expect. Have an open mind and have some fun!
- Remember You Are Not Alone
Sometimes after getting rejection letters, it helped to hear from other writers experiencing the same thing. I worked toward being an author every day for years, without break, and it was often exhausting and demoralizing. Believing in yourself doesn’t mean you think everything you write is perfect and you can do no wrong, but it means you know you can make this work. Rejection is not a sign that it will always be rejection. The writers who get published as the ones who don’t give up and who keep bettering themselves, not the ones who get rejection letters.
- Love Writing
Because being a professional author can be such a challenge, always remember the number one thing: you want to be a writer because you love writing. Now get out there and show them what you’ve got!
The difference between writing emotion and writing feeling is more one of degree than kind. Feeling is emotion that has been habituated and refined; it is understood and can be used deliberately. I know how I feel about this person and treat her accordingly. Emotion is more raw, unconsidered. It comes to us unbidden, regardless of how familiar it might be. Rage is an emotion. Contempt is a feeling.
Both emotion and feeling are essential not only in fiction but in nonfiction. However, given their unique qualities, rendering them on the page requires different techniques. Both emotion and feeling are essential not only in fiction but in nonfiction. However, given their unique qualities, rendering them on the page requires different techniques.
To accomplish this, the POV character should:
- Dig deeper: As with emotion, surprise is a key element. You need a starting point that seems unexpected, because nothing shuts off the reader like belaboring the obvious. Instead, seek a second- or third-level feeling in the scene.
- Objectify the feeling: Find a physical analogy for it (e.g. She felt as though her shame had created a sunburn from within).
- Compare the feeling: Measure it against other occasions when it has arisen. Is it worse this time? How? Why?
- Evaluate the feeling: Is it right or wrong to feel this way? Proper or shameful? What would a more refined, stronger, wiser person feel?
- Justify the feeling: Explore why this feeling is the only honest response for the character.
- Examine the impact on identity: What does this feeling say about the character or the state of her life? Has she grown or regressed? Does she recognize the feeling as universal, or does it render her painfully alone?
Emotion on the page is created through action and relies on surprise for its effect. That surprise is ultimately generated by having the character express or exhibit an emotion not immediately apparent in the scene.
- To create genuine emotion when crafting a scene, identify the most likely or obvious response your character might have, then ask: What other emotion might she be experiencing? Then ask it again—reach a “third-level emotion.” Have the character express or exhibit that. Through this use of the unexpected, the reader will experience a greater range of emotion, making the scene more vivid.
- Surprise can also be generated through unforeseen reveals and/or reversals. This technique requires misdirection: creating a credible expectation that something other than what occurs will happen instead.
Types of misdirection include:
- Misdirection through ambiguity: Any of several results might occur.
- Misdirection through fallacy: Something creates a mistaken belief regarding what is happening or what it means.
- Misdirection through sympathy: Intense focus on one character lures the reader into overlooking what another might do.
- To ground a surprise in emotion you must develop a belief that some other emotional outcome—ideally, the opposite of the one you hope to evoke—is not only possible, but likely.
Feeling requires introspection, which thus necessitates identification with the character and empathy for what she faces. The goal is not to get readers to feel what the characters feel, per se, but to use the characters as a device to get readers to feel something on their own.
This means allowing characters to think about what they’re feeling, which accomplishes two things:
- It makes the feelings both more concrete and more personal.
- It creates time and space for readers to process their own feelings. If empathy for the character has been forged, this allows readers to ask themselves: Do I feel the same way? Do I feel differently?
Within such scenes, the point-of-view character:
- registers and analyzes the emotional impact of what has happened
- thinks through the logical import or meaning of what has happened
- makes a plan for how to proceed
Putting Them Together: Writing Emotion and Feeling
A character changes through the emotions she experiences, the refinement of those emotions into feelings, and the evolution in self-awareness that this process allows. This gradual metamorphosis creates the story’s internal arc, providing the character an opportunity to move step-by-step from being at the mercy of her emotions to mastering her feelings. And through the use of surprise and introspection, you provide a means for the reader to traverse an arc of her own, expanding her emotional self-awareness.
Reblogged from A Teacher’s Reflections. Jennie teaches far more than Reading, Writing, and Arithmetic! She teaches compassion, empathy, and the caring for those who sacrifice to protect others from danger. Learning to say thank you with humility and gratefulness is part of the greater good of humanity. Thank you, Jennie. Visit Jennie’s blog at https://jenniefitzkee.com/
“Thank you.” Those are the most fundamental words, next to “please”, that shape children’s character. It is far more than manners; saying the words is one thing, doing the words is another.
My class is thanking Sergeant Curran, stationed in Afghanistan. We’re doing it the good, old fashioned way; writing letters and drawing pictures. We are Pen-Pals!
For children, expressing their thoughts in words and drawings is age appropriate and very genuine. That is exactly what we did for Curran. After we wrote and decorated our big letter, we drew him individual pictures.
Children need to learn that kindness and thanks matter. They need to learn about the big, wide world. They need to learn about other people. Curran is our Pen-Pal in the big, wide world. When he was a little boy, his favorite book was Mr. Gumpy’s Outing, by John Burningham. We love that book! Curran’s dad…
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