A Book Review of D. G. Kaye’s Non-Fiction, “Words We Carry”

It is my belief that every woman on the planet should read this non-fiction inspirational story that reveals the negative self-esteem experiences that many if not all women encounter during various incidents throughout their lives, and the consequences of those experiences often begin in early childhood.

D.G. Kaye writes with empathy, compassion, and a plethora of knowledge using her own experiences to help other women understand the importance of realizing their sense of self that is intimately associated with our self-worth. Self-worth is not a vanity and it not excessive pride. It is how we access our own sense of being, of who we are.

The author, D.G. Kaye, writes with a warmhearted conversational style that beautifully eliminates dogma and in effect the judging of us, by us, and others for what we may perceive as a failure to have fallen victim to ridicule, to embarrassment, and instead we begin to believe in our personalities and our value in the world.

Our society often appears to judge women by our appearance: a cultural sense of what beauty is, a person’s station in life, and least but not last – money. If as a child we experienced being bullied, laughed at, ignored, and ridiculed, our self-worth without a positive, loving alternative from your parents, grandparents, and siblings—is damaged and our chances of feeling unlovable, inadequate, and homely take root in our psyche. A psyche that is damaged presents difficulties in our self-expression, our personalities, and our ability to thrive in the world without a sense of inadequacy. This sense of inadequacy leaves us open to being further damaged by others.

D.G. Kaye, the author, encourages us, helps us to understand, and presents a rationale that can and does present a newer, healthier view of ourselves as well as to develop healthier relationships. Once we rid ourselves of negativity, jealousy, envy, and that awful feeling of inadequacy; our inner personalities, our joy of life, and a sense of inner happiness will begin to shine.

D.G. Kaye’s inspirational non-fiction for women is the best of its kind that I have ever read, and a must read for all women. I give this book a 5-star rating.

 

A Book Review: Through the Nethergate by Author Roberta Eaton Cheadle

 

Author Roberta Eaton Cheadle writes an incredible and terrifying adventure; a journey into a ghostly story with many historical tales relevant to this fascinating story and incorporating many real fictionalized characters that once lived and breathed that had experienced horrors from the past.

This story will greatly please ghost story lovers and I do love a great ghost story and this story has many ghosts; there are helpful ghosts and evil ghosts as well as entities to be dealt with that are as dangerous, wicked, and deadly as you can imagine.

What I found of great interest beyond the incredible ghost story is the intriguing depth of knowledge given to the reader by the author. As I reader, I loved the historical in-depth knowledge that is a fascinating addition to this story. This author has done her work that helps to create the reality within the story.  Margaret, the main character, carries the story forward to a very satisfying ending, that will not disappoint the reader.

I give this historical ghost story by Author Roberta Eaton Cheadle, a 5 star rating.

 

 

A Review of Watching Glass Shatter by James J. Cudney IV

A Review of James J. Cudney, IV superb novel, Watching Glass Shatter.

 

The title alone intrigued me. I already knew that James J. Cudney IV, was a fabulous writer and I already loved his writing style. I knew that it would be a great read, but I had no idea it would be so superb and that I would spend hours reading it while ignoring everything else that went on around me. Honestly, if my house had burnt down around me I probably would not have noticed.

I didn’t answer my iPhone, or make dinner or finish the laundry, I was so taken by it, so entranced by it, that I could do nothing else but read this novel that is as true to life as anything I have ever read. The people in this novel, come to life as real as you and me.  James J. Cudney IV’s novel brings a realism to this novel, Watching Glass Shatter, like no other. It is so astonishingly real in every conceivable way.

Normally, when I read a book, I know it is fiction, but not this story, no, anything but fiction. This story is like stepping into a family’s life in a very intimate way, observing, as though you are their invisible friend, and wanting so much to give advice, to hold a hand when tears flowed, to cheer when things go as planned, to grieve when they grieved, to respect their choices, even though poorly chosen sometimes, but necessary.

When I finished reading the last sentence, I knew I didn’t want it to end even though it was after midnight. I realized I had been reading for many hours without stopping for nether food nor drink. I knew in an instant that I would never forget this family, their lives, their losses, and their triumphs. I also knew I would be buying the print version today. I am also thrilled that now, knowing that Watching Glass Shatter is to be printed in several languages, because I am so happy that other people around the world will love this book as much as I do, and I hope the French language is of them. I give this story 5 stars and it doesn’t seem fair…it should be 10 stars!

 

Three Secrets to Great Storytelling!

Whispering

 

 

 

3 SECRETS TO GREAT STORYTELLING as presented on Writer’s Digest. I found this article by Steven James helpful in forming the structure of scenes.  (this is a re-blogging from 2014 but I thought it deserved a revival now, because it is simple, straightforward, and to the point.)

As a novelist and writing instructor, I’ve noticed that three of the most vital aspects of story craft are left out of many writing books and workshops. Even bestselling novelists stumble over them – Steven James But they’re not difficult to grasp. In fact, they’re easy.And if you master these simple principles for shaping great stories, your writing will be transformed forever. Honest. Here’s how to write a story.

Secret #1: 
CAUSE AND EFFECT ARE KING.

Everything in a story must be caused by the action or event that precedes it.  As a fiction writer, you want your reader to always be emotionally present in the story. But when readers are forced to guess why something happened (or didn’t happen), even for just a split second, it causes them to intellectually disengage and distances them from the story. Rather than remaining present alongside the characters, they’ll begin to analyze or question the progression of the plot. And you definitely don’t want that. When a reader tells you that he couldn’t put a book down, often it’s because everything in the story followed logically. Stories that move forward naturally, cause to effect, keep the reader engrossed and flipping pages. If you fail to do this, it can confuse readers, kill the pace and telegraph your weaknesses as a writer.

Secret #2: 
IF IT’S NOT BELIEVABLE, IT DOESN’T BELONG.  

The narrative world is also shattered when an action, even if it’s impossible, becomes unbelievable. In writing circles it’s common to speak about the suspension of disbelief, but that phrase bothers me because it seems to imply that the reader approaches the story wanting to disbelieve and that she needs to somehow set that attitude aside in order to engage with the story. But precisely the opposite is true. Readers approach stories wanting to believe them. Readers have both the intention and desire to enter a story in which everything that happens, within the narrative world that governs that story, is believable. As writers, then, our goal isn’t to convince the reader to suspend her disbelief, but rather to give her what she wants by continually sustaining her belief in the story. The distinction isn’t just a matter of semantics; it’s a matter of understanding the mindset and expectations of your readers. Readers want to immerse themselves in deep belief. We need to respect them enough to keep that belief alive throughout the story.

Secret #3: 

IT’S ALL ABOUT ESCALATION.  

At the heart of story is tension, and at the heart of tension is unmet desire. At its core, a story is about a character who wants something but cannot get it. As soon as he gets it, the story is over. So, when you resolve a problem, it must always be within the context of an even greater plot escalation. As part of the novel-writing intensives that I teach, I review and critique participants’ manuscripts. Often I find that aspiring authors have listened to the advice of so many writing books and included an engaging “hook” at the beginning of their story. This is usually a good idea; however, all too often the writer is then forced to spend the following pages dumping in background to explain the context of the hook.

IN CONCLUSION

By consistently driving your story forward through action that follows naturally, characters who act believably, and tension that mounts exponentially, you’ll keep readers flipping pages and panting for more of your work.

 

A Book Review of Haunted House Ghost by James J. Cudney IV

 

 

 

 

 

 

 

 

James J. Cudney IV’s captivating mystery, The Haunted House Ghost is the 5th book in the Braxton Campus Mystery series.  The novel itself is a marvel of intricacy, very much like a corn maze, with dead-end paths just when you think you know who the murderer is and it leaves you guessing, and you forge ahead as the Protagonist, Professor Kellan continues to forge ahead to unravel the 50 year old mystery. Beyond the mystery are unique personalities that you get to know like family.

A fascinating aspect is that the writer deftly combines 50 years of mystery about the one murder discovered after 50 years, that brings new mysteries to be solved and solved they will be. Kellan, the brilliant one or so his grandmother Nana D. refers to him, is a very dedicated amateur sleuth that puts all the pieces of the puzzle together in very ingenious ways.

Imagine that it is approaching Halloween night in Braxton, Pennsylvania and you have just purchased a historical home with a storied history of a beautiful young woman named Prudence, who was married to Judge Hiram Grey. Prudence is said to have disappeared 50 years ago during the fiery Vietnam War Protest at Braxton Campus that damaged the oldest part of the Campus Library.

You are told that Prudence haunts her family’s ancestral home that was built before the Civil War in America, but you just shrug your shoulders because you don’t believe in ghosts, until suddenly you do.

Imagine in that same small town of Braxton, Pennsylvania,  a young male Army veteran just home from the war, named Ian, disappears on the same day during the fiery episode of the Vietnam War Protest in front of the College. Therein lies the heart of the mystery, but that mystery just opens up Pandora’s box to reveal hidden crimes of money, betrayal, love, and revenge that appears to have rattled the bones of everyone in town.

Imagine it is now the present day and the Board of Directors at the Braxton Campus decides to tear down the oldest part of the Library as they wish to upgrade the College Campus into a University. During the demolition of the more than 100 year old structure of the oldest part of the Library, it was a shock to find the bones of a human being with brutal injuries suggesting a murder had taken place 50 years ago in the Library.

The town’s older generation wonders, could it be Prudence or some other poor soul? Many people remember Ian, whose wife to this day is full of grief at the loss of her husband. Did he abandoned her when he was discharged from the Army or did he really make it back home and is it his bones at the bottom of the now hollow hole?

Professor Kellan, the grandson of a longtime resident of the small town of Braxton, Pennsylvania, Nana D., finds himself in the center of this mystery as he actually bought the Civil War era haunted manor.

Professor Kellan being an amateur sleuth, knew he had to find out the truth. He manages to convince April, the town’s new sheriff, to help with his informal investigation when they become aware of the strong chemistry between them. They both aim to discover who the bones belong to and who is the murderer. Kellan devises a plan to research and dig up the ugly truth, so that he and his daughter Emma may live there without being haunted in their newly renovated home that may still belong to the disappeared Prudence. Kellan decides to get the help of a psychic medium who warns him of the danger he is in.

During all of this upheaval the Halloween Festival must go on with horse drawn carriages, haunted hayrides, and the race through the spooky corn maze. Everyone was enjoying the Festival when out of the dark, something spooks the horse drawn carriage causing deadly damage to two people, Professor Kellan knows that this was no accident.

This brilliantly conceived mystery, Haunted House Ghost, is a superb story that is thrilling, captivating, fascinating, and a very satisfying read that surprises you when you least expect to be surprised. This novel is the kind of thrilling mystery that you will want to read again and again. 5 stars

 

SOCIAL MEDIA LINKS

James J. Cudney IV

 

Websites & Blog

 

Website: https://jamesjcudney.com/

Blog: https://thisismytruthnow.com

 

Amazon: http://bit.ly/JJCIVBooks

Twitter:  https://twitter.com/jamescudney4

Facebook: https://www.facebook.com/JamesJCudneyIVAuthor/

Facebook: https://www.facebook.com/BraxtonCampusMysteries/

Pinterest:  https://www.pinterest.com/jamescudney4/

Instagram: https://www.instagram.com/jamescudney4/

Goodreads: https://www.goodreads.com/jamescudney4

LinkedIn: https://www.linkedin.com/in/jamescudney4

 

About James J. Cudney – Author, Book Reviewer & Blogger

 

James is my given name; most call me Jay. I grew up on Long Island and currently live in New York City, but I’ve traveled all across the US (and various parts of the world). After college, I spent 15 years working in technology and business operations in the sports, entertainment and media industries. Although I enjoyed my job, I left in 2016 to focus on my passion: telling stories and connecting people through words. My debut novel is ‘Watching Glass Shatter, a contemporary fiction family drama with elements of mystery, suspense, humor and romance. My second novel is Father Figure, a contemporary drama about two young women’s journeys on a college campus filled with secrets and tragedy. My third, fourth, and fifth novels are a new mystery series focusing on Braxton Campus. To see samples or receive news from my current and upcoming books, please subscribe with your email address at my website: https://jamesjcudney.com and you can buy the books via Amazon.

 

 

BOOK REVIEW: CATLING’S BANE

Catling’s Bane, Book 1 of the Rose Shield series, offers the reader an amazing journey into a world so believable that the characters seem to come alive on the page. This beautifully written science-fiction pulled me into a world that glitters with luminosity. The author reveals this world with descriptions so vivid, so rich in detail, that we forget completely, that it is a fictional world.

It is a civilization very different than our own, yet still, very much the same, with problems of great poverty, injustice, and cruelty, with one exception. There are strange powers of influence, powers that control someone’s intent, beliefs, and thoughts. The poor live their lives in a caste system, while the wealthy and powerful live like royalty, and all others live by hook or by crook.

Yet, even for the wealthy, life becomes a perilous journey, because every word, ever thought, may not be their own.  There are those, however, within this system, who have courageous hearts, make great sacrifices, and if they can escape the Influencers, they may have the opportunity to change their world where everyone can speak their own thoughts and live their lives as they choose to be.

I was completely captured within this incredible world, created by the author, D. Wallace Peach. 5 stars

A Book Review: Sam, A Shaggy Dog Story

“Entertaining humans for cheese is a bit daft really, but cheese is cheese!” Wise words from Sam: a smart, talented, handsome, and very entertaining Collie, who, in my opinion, is the spitting image of Lassie.

Author, Sally Cronin writes through the eyes of her beloved Collie, Sam. It is a poignant, funny, and oh so entertaining story about life with Sam.

Sam tells us about his life and what it is like growing up dog. I couldn’t help but fall head over heels in love with Sam! And so will you! 

Sam is very literate, he did narrate this book, after all. Sam’s memoir: Sam: A Shaggy Dog Story, is a truly incredible life story of his life as a Collie. He narrates poignantly about his first memories of being a puppy, his incredible curiosity of the world around him, as well as his travels, mishaps, and friendships, and about his great of love of cheese and sausages.

Yet, most important in his life is his great love for Sally and David, his adopted family. Sam also had a fan club of sorts; he was friendly with cats, such as Henry, an Irish feral ginger and white cat, a Spanish marmalade cat, named Mollie, and let me not forget his very favorite toy, when he was a mere tadpole, a stuffed toy lamb, named Larry.

Sam, the intellectual that he was, studied human behavior extensively. He learned to speak Cat, English, and even a little Spanish. Sam was also quite good at humming a tune or two with Sally and David, on many of their family travels. Quite an accomplishment!  However, there was a certain rationale behind his thinking…cheese and sausages. If he could entertain Sally and David’s friends, by speaking English, he would be given more cheese by their guests. One could say that Sam was an accomplished entrepreneur!

As a reader of Sam’s story I laughed, I sometimes cried, and I fell totally in love with Sam, who was loved, beyond measure, by Sally and David, his adoptive parents. This is a wonderful memoir that will make you smile, laugh, and even shed a tear, but mostly you will feel a sense of great joy for a life well lived. 5 Stars.

 

The Heart Stone Chronicles: The Swamp Fairy, by Author Colleen M. Chesebro

 

 

 

 

 

 

 

 

 

 

This mystical story is bound to capture your heart. Abigale Forester is only fourteen years old, recently orphaned, and has been sent to live with her Aunt Magnolia Forester, a woman she has never met, and is now her legal Guardian. Abigale was born with mystical gifts, inherited from her mother, along with a few hundred acres of swamp land that has been handed down for generations in her family.

This is no ordinary swamp. It is a place where mystical things happens, another realm, that is critical for the safety of mankind. Abigale has no idea what this has to do with her, but she will soon find out. In the meantime, a corrupt, greedy, and wealthy man as plans of his own to destroy the swamp and possibly Abigale and her aunt, as a form of revenge.

Danger is everywhere for Abigale as she tries to adjust to her new life. When the truth about the swamp legacy is revealed to her, Abigale is forced to make a decision about the swamp legacy and her choice is a dangerous one.

I highly recommend this mystical mystery that is so well written, by author Colleen M. Chesebro, that the story itself almost leaps off of the pages, right into your reality. It is that good. 5 Stars!

 

An Interview With Judy Rumsey Bullard, Book Cover Designer, This Saturday, October 20th!

 

 

 

 

 

As writers and authors, we know or should know, the importance of creating a book cover that shines. The cover should also represent as much as possible what the novel is all about. On October 20th, 2018, I will be interviewing Judy Rumsey Bullard, a very talented Book Cover Designer, who will talk to us about Book Cover Designing. She will be displaying 6 more of her great designs, and will talk to us about what it takes to be a successful Book Cover Designer! Here are three Book Cover designs that she designed for three of my novels and I love each one!

 

Critical Thinking: The 5 Factors that Earn 5 Star Reviews!

 

 

 

 

 

 

 

 

An excerpt from: Paul Goat Allen | March 12, 2018, Writer’s Digest. Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

Novelists live and die by reviews yet uncovering what garners a gushing ovation or blistering takedown is often a mystery. A professional critic lays out what it takes to earn five-star book reviews. For two decades I’d been working as a freelance genre fiction book critic for outlets such as BarnesandNoble.com, Publishers Weekly, Kirkus Reviews and the Chicago Tribune. After sharing my credentials with the group, some of the writers began telling stories about mediocre or bad reviews they’d received at different points in their careers from one or more of the companies I’d listed.

As a reviewer, not much has changed since then. I enjoy all genres and have reviewed thousands of titles in hundreds of sub-genres ranging from apocalyptic fiction to zombie erotica. (Yes, there’s such thing as zombie erotica.) In the end, genre categorization matters little to me—it’s all about the story. With that in mind, I decided to formalize a universal framework through which I process and analyze my various reading experiences. While there are undoubtedly specific narrative elements I look for in-particular-genres (pacing and tension level in thrillers, for example), there’s a pyramid of qualities—a Hierarchy of Needs, if you will—that I seek in every story. While highly simplified, it’s this structure that dictates whether I give a book a positive or negative review.

These five criteria will not only provide a glimpse into how a veteran book reviewer dissects and evaluates a novel but, hopefully, make you look at your writing in a different light. See for yourself: Does your work-in-progress have what it takes to earn a positive review?

The Book Reviewer’s Hierarchy of Needs: How to Earn Five-Star Book Reviews

  1. Readability

A book’s degree of readability is the base layer of my reviewer’s pyramid, and the foundation for any good story. The quality of a novel—narrative clarity, narrative fluidity, having a coherent storyline—is directly related to the number of times I put that book down. Some are so bad, so poorly written, that I struggle to get through a single paragraph without wanting to walk away. Others have such a fl uid plot that I find it virtually impossible to stop reading—Tad Williams’ The Witchwood Crown and Jim Butcher’s The Aeronaut’s Windlass being two such examples of utterly readable, page-turning novels.

I’ve read a lot of “unputdownable” books over the last few decades, and the vast majority of these all have something in common beyond a clear and fluid narrative: The stories have noticeably strong chapter beginnings and endings. It’s a small thing, but a great way to compel readers to keep reading. How can you put a book down when every chapter begins and ends with a cliffhanger sequence, bombshell plot twist or powerful statement? When I consistently find these elements in a novel, I know the author fully understands the significance of readability.

Conversely, novels that aren’t as readable—that are poorly written with awkward sentence structure, a confusing storyline, weak chapter beginnings and endings—are almost asking to be tossed aside. This may sound obvious, but if you can’t compel a reader to read your story, then you need to focus more on your craft before penning another book.

  1. Immersion

I define immersion as the ability for me, the reader, to not only lose myself in a novel (I call these “stay-up-all-night-till-your-eyes-bleed” reads) but to experience the story intimately, living vicariously through the characters. This trick is accomplished through a continued focus on setting, rich description and atmospherics. I don’t want to experience the story as a detached viewer looking down at what’s happening—I want to feel like I’m in the story.

The litmus test for this is easy. If I become so engaged with a book that I lose track of time—if I glance at the clock and hours have passed by—you’ve succeeded in drawing me fully into your read. Writers who are absolute immersion masters (think Cherie Priest, Justin Cronin, Charlaine Harris) are so good at captivating description that weeks, months and oftentimes years after reading their novels I can still vividly recall specific scenes.

This layer is where many writers stumble, and here’s why: While they may excel at world-building and meticulous description at the beginning of a novel, once the action and adventure ramps up, they not only lose focus but completely ignore description altogether. I’ve seen this happen countless times in every genre: rich description for the first 100 pages or so, then almost nothing in the final 200. It’s called literary escapism for a reason. If I can’t lose myself in a read—from beginning to end—then I haven’t fully escaped. Writing the Intimate Character: Create Unique, Compelling Characters Through Mastery of Point of View

  1. Character Depth and/or Plot Intricacy

Three-dimensional, interesting and identifiable characters bring emotional connectivity and intensity to the read. If your readers aren’t emotionally invested in your characters, then the narrative impact of your story is inevitably going to be negatively impacted. Emotions wield power. If you can bring your readers to tears, make them laugh out loud or scare them to the point of checking under the bed, then you’ve succeeded on some level.

Creating authentic characters to whom readers can relate is a solid achievement—but an obvious word of warning: Stay clear of clichés and stereotypes. Overused conventions—like the Chosen One in fantasy who is consistently a white male, or the emotionally damaged billionaire entrepreneur in erotic fiction who needs to sexually dominate his love interest—even if brilliantly rendered, will underwhelm and disappoint more than a few readers (and reviewers).

Now, the reason I include an “and/or” between character development and plot intricacy is because, in some rare cases (particularly in mainstream thrillers), a novel with an impressively knotty storyline can still succeed with relatively cardboard characters.

Which is why plot intricacy is key: Why read a novel where you can accurately predict what’s going to happen after a few chapters? (I do that quite often. After reading the first chapter or two, I’ll jot down a prediction in my notes. You’d be surprised how many times I’ve guessed the ending correctly.) I just finished reviewing a brilliant historical mystery for Publishers Weekly that was filled with so many plot twists I was left guessing until the last few pages. It doesn’t matter if you’re writing a fantasy or a thriller or a romance—the plot has to be intricate enough to keep your reader simultaneously engaged and a bit off balance.

  1. Originality and Innovation

This one ties in with embracing originality, be it atypical characters or unconventional story structure. So many books out there today are built upon unoriginal, rehashed, derivative storylines. I read a lot. And I get bored easily, especially when reading the same basic story arc again and again. My advice? Don’t play it safe. Write a story that you’ve never read before. In a 2016 Goodreads interview I conducted with fantasy novelist Michael J. Sullivan, author of Age of Myth, he said,

“It doesn’t matter if it’s been done before. It just matters if it’s being done well now.”

I love that quote. Just because something has been done before doesn’t mean it can’t be re-envisioned or reimagined but be innovative—put a new twist on an old mythos, turn a stereotype on its head. Have the courage to be creative!

  1. Thematic Profundity

In the introduction to the 2006 reissue of Walter M. Miller Jr.’s 1960 Hugo Award–winning classic, A Canticle for Leibowitz, Mary Doria Russell writes, “You’ll be different when you finish it.” That’s my hope for every novel I pick up—that within the story there will be a kind of spiritual and/or existential wisdom, a kind of revelation or insight that will change the way I look at myself and the world around me.

A novel that holds this kind of thematic power—as well as the other elements in the Hierarchy of Needs—will get a starred review from me every time. Stories, no matter the genre, have the power to change lives. Novels like Andreas Eschbach’s The Carpet Makers, Margaret Atwood’s The Handmaid’s Tale and Yevgeny Zamyatin’s We have irrevocably changed who I am. After all, that’s the ultimate goal, right? To write a commercially successful and critically acclaimed novel that is both entertaining and enlightening.

Evaluating a novel is a cumulative process. Those with masterful character development but zero immersion will still receive a poor review, for example, while a thematically profound read with excruciatingly bad readability will receive a terrible review.

May this Hierarchy of Needs not only make you more aware of how your writing is experienced by readers—and jaded book reviewers like myself—but also offer up a few invaluable insights that can be used to improve your craft. Who knows, maybe my next starred review will be yours.

Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.