A Review of Aggravated Momentum by Author Didi Oviatt

Reading Aggravated Momentum, a murder mystery, by author Didi Oviatt, is like stepping into the life of a real serial killer.  Adding to the story are two sisters, Kam and Markie. Markie has no idea that a friend is plotting the deaths of her other friends and even Markie herself. This friend is meticulously good at hiding his murderous deeds and enjoys every step into murder with glee.

The writer also allows the reader to see, from the victims’ point of view, the terror, fear, and shock as it is happening in real time – as the victim begins to realize what is going to happen with disbelief, and no amount of reason, begging or pleading will change the outcome. At first, you don’t have a clue who the murderer is, but then the murderer lets you in on his murders and his plans for more murders, as he licks his lips with sexually sadistic anticipation.

The author has fashioned this murderer in such a way that you get to go inside his mind, see how he thinks, feel his emotions, his thought processes and his sadistic appetite for torture.  Aggravated Momentum is so well written that you are taken into the story in a very real way, knowing that this kind of murdering individual could be anyone you know.

The realism is so incredibly well done that it is one of the most terrifying depictions of its kind that I have ever read.  It will terrify you and you may never look at your neighbors and friends in the same way again. The idiom, “you never really know anyone”, comes alive in this story like never before. Aggravated momentum lives up to its title in a very real way and you can’t even guess the ending. I highly recommend this journey into the mind of a real-to-life, sexually sadistic murderer. 5 Stars !

 

 

Book Review Saturday: Protecting His Witch by Zoe Forward

 

 

 

 

 

 

This is not my usually reading material, especially with the guy on the cover with an open shirt. I like reading books without shirtless men on the cover, but this one was about a witch and the description was interesting.  I was soon to discover that you really can’t judge a book by its cover! This fascinating and imaginative mystery romance is exceptionally well written and keeps the reader totally engaged as the writer builds the story into a crescendo from breathless interludes to heart-stopping suspense. From the very first pages, the reader is drawn to the beautiful and enigmatic Kat and the very dangerously sexy Matthew, as they try to untangle the web of mystery surrounding them.

Kat has no idea who and what she is as she struggles to understand the strange phenomena that grips her and even threatens her life. Matt is determined to avoid being pulled back into a world of ancient mythology that he has tried to forget. Kat and Matt, suspicious of the inexplicable physical chemistry in their passionate and contentious union, find they are under attack by powerful forces that threaten their very existence as ancient enemies lead the world toward Armageddon. Kat and Matthew are determined decide their own fate at the risk of losing everything they hold dear.

I was completely spellbound by the power unleashed in this story of sizzling passion and high suspense to see what fate had in store for the beautiful Kat and the devilishly handsome Matthew. I could not put this story down for a minute and I highly recommend this stylish and sexy thriller as a must read.

5 TED Talks Everyone Should Have Already Watched — Kopitiam Bot

(Source: dollarsandsense.sg) #1 The Secret Of Becoming Mentally Strong (Speaker: Amy Morin) “Good habits aren’t enough. It only takes one or two small habits to really hold you back.” Amy Morin starts off by sharing how everyone has a friend that seems to have a perfect life, and how we kind of don’t like that […]

via 5 TED Talks Everyone Should Have Already Watched — Kopitiam Bot

A Summary of K.M. Weiland’s  “Write Like a Master”

 

My summary of K.M. Weiland’s excellent article presented in Writer’s Digest, Work Book: Exercises and Tips for Honing Specific Aspects of Your Writing presents the key points of her exceptional article via Writer’s Digest 2014 Reblog. It is especially for writers penning their first novel, but also for seasoned writers to again remember a classic, Jane Eyre, a novel that was ahead of its time, by Charlotte Brontë.  Often, reading classics, as most of us do, gives us fresh insight to dramatic storytelling par excellence. K.M. Weiland gives us 10 distinct techniques for dramatic masterful writing.

  1. Hook: Start in the middle of some type of interaction within environment, statement, or internal angst to provoke reader curiosity.
  1. Characteristic Moment: Reveal/show a personality trait of the Protagonist.
  1. Setting Description of Scene: Start broadly, and then zoom in.
  1. Symbolism: Small details set story’s tone and foreshadows its course.
  1. The World Protagonist Inhabits: demonstrate character’s interior and exterior world.
  1. Back Story: Intersperse with dialogue, don’t dump back story in long paragraphs in chapter 1.
  1. The Premise of Story: Present the Dramatic Question early on, involving the moral foundation, the impetus that drives the story forward.
  1. Physical Actions: The physical movements of characters interspersed throughout dialogue increases depth of character traits.
  1. Protagonist’s Belief: Once Dramatic Question is identified, writer presents obstacles for protagonist until she/he can relinquish belief/misconception and meet deepest needs.

10.Extraordinary Factor: What makes the Protagonist important? How at odds is protagonist in his/her world with others that creates friction, tension, and thus the central conflict of story premise.

***see Writer’s Digest, October 2014 edition, for full article.

Why We Search for Authenticity in People!

Authenticity is the practice of letting go of who we think we’re supposed to be and embracing who we are.” – Brené Brown via http://www.powerofpositivity.com

Psychologists correlate the attractiveness of authenticity to three things: (1) We believe that people who are authentic are more trustworthy; in part because they’re truer to themselves. (2) Genuine people often possess a sense of individualism and firmness, which we admire. (3) Remaining true to oneself requires courage, strength and tenacity – all qualities that we find appealing.

With that in mind, here are 10 signs of authentic people:

They Speak Their MindAuthentic people are confident about their opinions and perspectives – and share them with confidence. Their thoughts are also well-constructed and, when prompted, are conveyed with both firmness and civility.

They Realize the Unimportance of Material ThingsWhile authentic people may enjoy certain things, they certain do not base their happiness off of them. Furthermore, they do not judge an individual by what they have and do not have. Authentic people focus on a person’s character, not their bank account.

They Relish in ExperiencesGenuine people realize the impermanence of life and try to live it fully. This means experiencing what people and the world has to offer – and they make every attempt to do so.

They Set Their Own ExpectationsAs apparent by now, authentic people are highly individualistic; they do not seek the “approval of others” and never will. Their beliefs, ideals, morals, and value are self-acquired and applied.

They Are Active ListenersGenuine people exemplify the “two ears, one mouth” axiom. Active listening is listening without anticipating one’s response. 100 percent of their focus is on the speaker and nothing else. (Was the person you thought of earlier an active listener? Please share!)

They Acknowledge Their Faults and MistakesIt takes tremendous fortitude to admit to your failures – and authentic people have plenty in reserve. They know their weaknesses and mistakes; but what really differentiates a genuine person is they take necessary action to correct them.

They Take Personal ResponsibilityThis one really doesn’t need to be said, but here it is. Authentic people are hold themselves accountable to what they do and don’t do. They are very responsible for many reasons, including the self-empowerment and pride that comes from being answerable to themselves.

They Make Their Own WayGenuine people are not a “sit back and wait” group. They find a way to make things happen, regardless of the sweat, blood and tears required. Further, the path they set for is their own – something that requires grit, determination, and… self-reliance.

They Aren’t Scared of FailureHow many of us would love to say, “I’m not scared to fail”? (Raises hand and nods head.) Part of being a truly authentic person is acknowledging the possibility of failure, looking it in the face and not blinking. Whew…easier said than done.

They Aren’t at All JudgmentalPerhaps of all the wonderful traits listed, this last one may be the most admirable. Genuine people can wholeheartedly and honestly accept individuality precisely because they are different. Authentic people are often very smart – and are able to see right through the pointlessness of preconceived expectations and human stereotyping

Twin Flames & Karmic Soul Mates – What is the difference?

 

 

 

When I first saw you, my soul said, “There you are, I have been looking for you!”  

 

“What is the difference between a twin soul and karmic soul mate? Can I have more than one soul mate?” ​We have many soul mates, or karmic soul contracts, but only one twin soul. To better explain is to understand what each one is. via http://www.powerofpositivity.com

Signs of a Twin Soul Relationship (Twin Flames)

Many also refer to Twin Souls as Twin flames. This is because the level of passion and radiant light that is involved in these relationships. Not everyone will experience a twin soul reunion in their lifetime. This only comes to those whom are ready to ascend from this realm onto the next, by sharing and completing a mission which requires the help of their twin. There are many legends and myths about twin soul relationships and a lot of them share a common theme. While they do share these qualities, each relationship is different any may not be exactly by the book. Not to mention, a lot of these qualities may just be karmic soul mates – there is really a lot more to a twin soul- relationship than some of the info explains online. If most of these signs relate to a relationship you feel is of twin soul quality, then you just may have met your twin. However, if only a few stick-out, then you more than likely have a karmic relationship.

The ‘Knowing’: You just know from the depths of your being that “the one” or some romantic fairytale was meant for you. There is a strong urge to love, to be loved, and to find your healing cure of true love.

Repeated Visions or Prophecies: Many Twin Souls have foreseen one another or had dreams which manifested upon meeting their mate. Your dreams and daydreams are filed with passion and spiritual love. You may have even encountered previous karmic mates who have matched many of these “visions”.

Folk Memory: Twin Souls are usually very evolved, or ancient beings whom are connected with their past lives. When you have met your twin in the past, and did not complete the mission you were destined to, then you get a chance to repeat the lesson in a future life. This is much like karmic soul mates and balancing the debt, however with your twin soul you have a mission to fulfill together, rather than just personal growth and life lessons to partake in.

The Runner & the Chaser: Now here’s the thing, I don’t necessarily believe that twin souls run from one another when the connection gets too deep, or the shadow work becomes too intense. If they run, they are simply karmic soul mates here to teach you about attachment or rejection and loneliness. The ‘theory’ is that when they first meet, they are given a mirror image of what needs to be worked on within, and then they will part ways to evolve and come back to one another evolved, and ready to do the soul work they were destined to do with one another. I feel that information was placed there to give those hope whom are desperately chasing after someone who doesn’t want to get “caught”. ​Twin Soul relationships are more powerful than karmic ones, and that is because each soul much do the self-work and soul evolution before the meeting can even take place to begin with.

Shared Life Purpose:  Twin Souls reunions are more than just a mind exploding love that transcends time and the universe. They are work. Not just self-work, they are work in serving humanity as a whole. Your life mission becomes apparent, which is shared and amplified with your twin. You don’t have the share the same trade or modality in healing, but you two together as a team enable each of you to push forward with your best self for doing what you do. This is the key ingredient to make a twin soul relationship – without a mission or some urge within to help mankind together, the relationship is then just karmic.

Ascension: When the mission is fulfilled, the souls will combine into one, and leave this plane or realm. You would not have to come back to this Earth again to undergo karmic lessons and soul evolution.

Signs of a Karmic Soul Mate Relationship

Before you reincarnated on this earth you had discussed the lessons and goals you aimed to achieve with your soul group. Many have different ideas and theories on what a soul group is, or how many you have in your group, but mainly these souls are reincarnated with you to fulfill soul contracts of spiritual evolution, growth, and life lessons.

Karmic soul contracts:  are some tricky relationships, can be anything as well as romantic. A karmic mate is someone you had made a contract with to balance karmic debts and life lessons. They are here to teach you, to change you, and to evolve you into new levels of consciousness and growth. Often these are relationships are the ones where you feel as if you have known one another lifetimes before because the connection is so deep and painful.

Karmic relationships: can also be your most challenging and life-altering. These can be the people who have hurt you the most – but through that pain and experience you are able to find your strengths and redirection towards your higher path. For example: Your mother may have rejected you or withheld affection growing up, and so you had spent much of your life with toxic or difficult relationships with women when it comes to attachment and that need for affection or validation. Your mother had taught you what you needed in love, by giving to you the opposite.  Often, you will meet many of the same personality or tone in relationships until that karmic lessons are learned within yourself – each one of those relationships are placed there by contract to push you of the repeated mistakes/lessons so you can evolve and grow.

 

 

 

WHAT MAKES BAD WRITING BAD

virginia-woolf

 

Virginia Woolf: “The psychic risk of a novel such as Woolf’s The Waves is vast – particularly for someone for whom psychic risk was so potentially debilitating.”  This article is Written by Toby Litt who is a London-based writer. Hospital, his latest novel, is published by Hamish Hamilton. ( A reblog from 2015)

Bad writing is mainly boring writing. It can be boring because it is too confused or too logical, or boring because it is hysterical or lethargic, or boring because nothing really happens. If I give you a 400 page manuscript of an unpublished novel – something that I consider to be badly written – you may read it to the end, but you will suffer as you do.

It’s possible that you’ve never had to read 80,000 words of bad writing. The friend of a friend’s novel. I have. On numerous occasions. If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is.

The friend of a friend’s novel may have some redeeming features – the odd nicely shaped sentence, the stray brilliant image. But it is still an agony to force oneself to keep going. It is still telling you nothing you didn’t already know.

Bad writers continue to write badly because they have many reasons – in their view very good reasons – for writing in the way they do. Writers are bad because they cleave to the causes of writing badly.

Bad writing is almost always a love poem addressed by the self to the self. The person who will admire it first and last and most is the writer herself.

When Updike began writing Rabbit, Run it was either going to be a great technical feat or a humiliating misjudgment

While bad writers may read a great many diverse works of fiction, they are unable or unwilling to perceive the things these works do which their own writing fails to do. So the most dangerous kind of writers for bad writers to read are what I call excuse writers – writers of the sort who seem to grant permission to others to borrow or imitate their failings.

I’ll give you some examples: Jack Kerouac, John Updike, David Foster Wallace, Virginia Woolf, Margaret Atwood, Maya Angelou. Bad writers bulwark themselves against a confrontation of their own badness by references to other writers with whom they feel they share certain defense of worthy characteristics. They write defensive admirations: “If Updike can get away with these kind of half-page descriptions of women’s breasts, I can too” or “If Virginia Woolf is a bit woozy on spatiality, on putting things down concretely, I’ll just let things float free”. If another writer’s work survives on charm, you will never be able to steal it, only imitate it in an embarrassingly obvious way.

 

Bad writing is writing defensively; good writing is a way of making the self as vulnerable as possible. The psychic risk of a novel such as Woolf’s The Waves is vast – particularly for someone for whom psychic risk was so potentially debilitating. When Updike began writing Rabbit, Run all in the present tense, it was either going to be a great technical feat or a humiliating aesthetic misjudgment. (Excuse writers aren’t, in themselves, bad writers; not at all.)

Often, the bad writer will feel that they have a particular story they want to tell. It may be a story passed on to them by their grandmother or it may be something that happened to them when they were younger. Until they’ve told this particular story, they feel they can’t move on. But because the material is so close to them they can’t mess around with it enough to learn how writing works. And, ultimately, they lack the will to betray the material sufficiently to make it true.

Bad writers often want to rewrite a book by another writer that is written in a different time period, under completely different social conditions. Because it’s a good book, they see no reason why they can’t simply do the same kind of thing again. They don’t understand that even historical novels or science fiction novels are a response to a particular moment. And pretending that the world isn’t as it is – or that the world should still be as it once was – is disastrous for any serious fiction.

Any attempt to write fiction in order to make the world a better, fairer place is almost certain to fail

Conversely, bad writers often write in order to forward a cause or enlarge other people’s understanding of a contemporary social issue. Any attempt to write fiction in order to make the world a better, fairer place is almost certain to fail. Holding any value as more important than learning to be a good writer is dangerous. Put very simply, your characters must be alive before they seek justice.

Bad writers often believe they have very little left to learn, and that it is the literary world’s fault that they have not yet been recognised, published, lauded and laurelled. It is a very destructive thing to believe that you are very close to being a good writer, and that all you need to do is keep going as you are rather than completely reinvent what you are doing. Bad writers think: “I want to write this.” Good writers think: “This is being written.”

To go from being a competent writer to being a great writer, I think you have to risk being – or risk being seen as – a bad writer. Competence is deadly because it prevents the writer risking the humiliation that they will need to risk before they pass beyond competence. To write competently is to do a few magic tricks for friends and family; to write well is to run away to join the circus.

Your friends and family will love your tricks, because they love you. But try busking those tricks on the street. Try busking them alongside a magician who has been doing it for 10 years, earning their living. When they are watching a magician, people don’t want to say, “Well done.” They want to say, “Wow.”

At worst, on a creative writing course, the tutor will be able to show you how to do some magic tricks; at best, they will teach you how to be a good magician; beyond that, though, is doing magic – and that you will have to learn for yourself. For what a tutor can’t show you is how to do things you shouldn’t be able to do.

Toby Litt is a London-based writer. Hospital, his latest novel, is published by Hamish Hamilton.