To Wish Upon a Star

 

 

 

 

 

 

 

 

 

 

 

If you wish upon a star,

For true love’s sake,

Please don’t tell it,

Where you are,

For stars are fire,

Burning bright,

And it will surely,

Take your sight,

For if your love is true,

No star can ere replace,

The light of love,

Upon your face,

Should there be,

The darkest night.

K. D. Dowdall

Copyright 2016

Stone Hearts

Reblogging: Stone Hearts, by poet, Delia. . A real, tell-it-like-it-is poem about the social jungle and trying to find authenticity where there is little to none. Delia often writes, real, raw and authentic prose and poetry that will catch you unawares, and reach inside you, grab you, and make you see beyond the obvious. K. D.
via https://artemisdelmar.wordpress.com/2017/04/13/stone-hearts

Keep Calm and Keep On Writing!

 

 

 

 

 

 

 

 

 

 

This was written by Writer in Wedges. I don’t have his or her website, So if that writer is on WordPress, I must give thanks because this is simple and very helpful for a writer.

So you have written your story and cannot wait to release it into the world. But before doing that, it is important to take some extra time to make sure your story is properly edited, despite the fact that editing is nowhere near as fun as writing.

Spell/Grammar Check

The first step towards the best version of your story is hitting that spellcheck button and proofreading it to make sure there are no errors. A story which contains spelling and/or grammar mistakes very often won’t be taken seriously.

Remove Adjectives/Adverbs

Sometimes, less is more, and this is especially true when it comes to adjectives and adverbs. Too much of either can suffocate your story. Instead, opt for using a stronger verb or a noun.
Remove Repetition This is very important to keep your readers’ attention. If you catch yourself repeating the same thing several times throughout the story, you know what to do.

Remove Clichés 

Clichés are a deadly sin of fiction writing. Avoid them at all costs. Begin with a Bang. If you explain too much at the beginning of your story (if you “tell” instead of “show”), your beginning might not be as effective as it would be if you jumped straight into action. Mind you, this “action” does not have to be your characters running away from zombies (but hey, I’m not judging), however, if you begin your story with a lengthy description of the weather, many readers might get bored and abandon the story altogether.

Check For Consistency

Make sure your writing is consistent in every way. This can refer to either checking that the names of your characters are consistent throughout the story, or that their motivation corresponds to their actions. The story has to follow the rules of logic (except when its primary purpose is to twist those rules).
Remove Unnecessary Explanation I cannot stress this enough. Just like long beginnings, explanations are often a lazy way out which indicates that an author couldn’t be bothered to write a scene in which s/he would show something instead of telling it. Let’s face it: explanations are boring. There are many things about the characters that the writer has to know, that never make it to the final version of the story. There’s nothing wrong with that. Make sure the readers know only what they really, really have to know in order to follow your story.

Edit Your Dialogue

Editing is essentially, a conversation where the boring parts have been left out. Make sure that your dialogue truly reveals only the necessary information for the story, and cut all those random chats that do not move the story forward.

Get Perspective Okay

So, you have made sure that your short story does not have any repetition, clichés, or unnecessary explanations. Now what? The best thing you can do is to leave your story alone and come back to it with fresh eyes. You can leave it for one day, or a couple of weeks, depending on your schedule or personal preference. However, I find this step very important because it allows you to gain some perspective and to see the possible shortcomings of the story more easily.

Get Feedback

Give the story to your beta readers. They can be members of your creative writing workshop, your family or friends. In any case, they should be people you consider honest and trustworthy, and preferably experienced readers. It is better to have several opinions than only one. However, take their advice with a grain of salt: even though their feedback can be very useful, remember that you are still the author and at the end of the day should do what feels right to you instead of listening to others.

Once a writer has completed these steps, the writer can be assured that at least all of the most egregious  errors are gone and never give up writing!

 

Tears of Morning

The world awakes each day,
Wet with tears of morning,
And in the silent dawn,
Upon the earth’s sweet tears,
The world begins a new,
For with the promised sun,
The earth renews its hope,
In life itself,
And dries its tears,
In the morning air,
To begin again,
For what have we,
On this earth so rare,
Is to forgive,
And be forgiven.

 

Copyright @ Karen D. Dowdall 1997

 

 

 

Stone Hearts

Reblogging: Stone Hearts, by poet, Delia. . A real, tell-it-like-it-is poem about the social jungle and trying to find authenticity where there is little to none. Delia often writes, real, raw and authentic prose and poetry that will catch you unawares, and reach inside you, grab you, and make you see beyond the obvious. K. D.
via https://artemisdelmar.wordpress.com/2017/04/13/stone-hearts

palabras DelMar

Stone hearts
And stoic faces
Bodies moving
Unfamiliar places

Trying to adjust
Appearing to fit in
Harboring inside
What can’t be shared at all

Internally digesting
Events that make you cringe

Knowing that it’s yours to keep
Preserving classification
Your privacy in tact
No one privileged enough
To get through the external hallowed out remains

Who dares dig deep?
Into your darkest night
Tunneling through
That formidable wall

Destruction
Obscurity
Gloom
And despair

Grunts of dejection
Exhaled in the night

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What is True Love?

 

 

 

 

 

 

True Love is Selfless. It is prepared to sacrifice. Sadhu Vaswani 

“Love is the emblem of eternity; it confounds all notion of time; effaces all memory of a beginning, all fear of an end.” Madame de Stael

 

 

 

 

 

 

 

“Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star.” e. e. cummings

Let Me Not to the Marriage of True Minds, William Shakespeare, Sonnet # 16

 Let me not to the marriage of true minds

Admit impediments. Love is not love

Which alters when it alteration finds,

Or bends with the remover to remove:

O, no! it is an ever-fixed mark,

That looks on tempests and is never shaken;

It is the star to every wandering bark,

Whose worth’s unknown, although his height be taken.

Love ’s not Time’s fool, though rosy lips and cheeks

Within his bending sickle’s compass come;

Love alters not with his brief hours and weeks,

But bears it out even to the edge of doom.

If this be error, and upon me prov’d,

I never writ, nor no man ever lov’d.

  What Shakespeare is referring to in this love sonnet: As the title suggests, the poem argues that true love will not be impeded, changed or stopped by transitory circumstances. True love, implicitly opposed to lust or some shallower form of affection, is a fixed form: the narrator describes it as “an ever-fixed mark.” The poem sets it in opposition to all that is changeable.

If the love between two people is real, it will rise above whatever temporary material conditions might get in its way. If trouble comes, which the poet likens to “tempests” or storms, true lovers are not “shaken” by this. If time ravages the looks of the beloved, wreaking damage on rosy cheeks and lips, that doesn’t matter either: love transcends physical appearance. The poet likens true love to a star that stays unchanging in the sky. It is eternal. The poem argues that true love is a perfect, Platonic form based on the union of minds, impervious to what can happen to the body.

If we understand this sonnet as the voice of a lover speaking to his beloved, it mounts a strong and fervent argument in favor of the depth and sincerity of the poet’s love, reflecting the heart of a person who even promises to stay with the beloved to “the edge of doom.”  Written by F. Steinbeck 2016