How to Collect Writing Ideas While You’re Procrastinating Online

    writes, “I love the web. In fact, I think it’s the single greatest invention of the twentieth century. It allows people to meet, connect, conduct business, and gather information quickly and easily, all from the comfort of…well, anywhere. It’s also an entertainment mecca. All that art! Music! Films! Literature! And games. The web is an enormous resource center, playground, and time suck.”

Distractions Abound Online

Distractions affect everybody, but writers are especially susceptible. As we sit crafting our prose, sometimes the muse escapes us and we’re tempted to venture away from our writing to find her again. The strongest among us will be able to resist the alluring pull of the Internet’s dazzling distractions. But most of us, in moments of great weakness and in times of desperate procrastination, will succumb to the clicking, often forgetting about the muse completely.

Now, I’m not going to encourage anyone to dawdle. But a little procrastination can be helpful. In fact, I’ve come up with lots of great ideas for blog posts while watching interviews on YouTube. I’ve concocted story ideas from images I perused on iStockPhoto. Tweets on Twitter have inspired poems. There is no limit to the writing ideas that can be found while randomly surfing around the Internet.

Mostly, I’m pretty good about restraining from distractions, but when I do succumb, I put procrastination to work for me!

I Made a Stash File

As I navigate around the Internet while avoiding inevitable tasks, I come across fascinating stuff — stuff I’d like to use — but later (because, you know, right now I’m working on something, sort of). In the past, I used my web browser to bookmark interesting sites so I could revisit them later. Eventually I switched to social bookmarking.

Things started getting spread out. If I wanted to go back to an illustration of an alien I saw three months ago or a mesmerizing poem I found a few weeks back, I would have to scroll through all my browser bookmarks, and then log in to three or four different accounts looking for the item of interest. The system wasn’t working for me.

Then I made a stash file.

Sometimes the Simplest Solutions Are the Best

It started with a text file. I found a particular site that I wanted to use as inspiration for a poem, but I didn’t want to lose the URL or forget where I’d stored it. So, I opened my text editor. I copied and pasted the URL along with a quick note to myself and saved the file to my desktop. Later, when I was ready, I knew exactly where to find it.

I started using that same file for other writing ideas that I found online. Then, I decided to expand my stash file. I created a folder on my desktop and moved the text file into it. Now I could save images to the folder. But for some of the images, I wanted to make notes. So I added a Word document to the folder (Word lets you copy and paste images directly to the document).

Now my stash file is bustling with writing ideas. I still use my other bookmarking systems, but for ideas and inspiration, I strictly use my stash file, and I love it. Sure, paper notebooks feel like home, but when you’re collecting ideas in the digital realm, you need a digital way to store them. I mean, who wants to hand-write URLs?

Tips for Stashing Your Collection of Ideas and Inspiration

You’ll need the following:

  • A desktop folder containing a text file and an MS Word file
  • The ability to copy and paste
  • Some time to waste

Over time, I’ve found a few ways to make this little system quite effective. For example, once I use an idea, I can delete it. This keeps the files short and easy to peruse. I’ve also thought about creating a third document that I can label “used ideas.” Then, I can just move stuff to that document and it will be there in case I need to refer back to it later.

My favorite feature in this system is that I can easily search through the material to quickly find what I’m looking for. It doesn’t matter if my documents grow to 10 pages or 100 pages because I use the Find feature. That’s when you hit command-F (control-F for Windows users) and then enter a word or phrase to search for. Within seconds I can find an item that’s buried in a document. Easy as pie.

How Do You Harvest and Store Writing Ideas?

I’m always looking for efficient ways to keep track of all the great writing ideas I come across. How do you do it?  https://www.writingforward.com

Adventures in Writing The Complete Collection

Keep Calm and Keep On Writing!

 

 

 

 

 

 

 

 

 

 

This was written by Writer in Wedges. I don’t have his or her website, So if that writer is on WordPress, I must give thanks because this is simple and very helpful for a writer.

So you have written your story and cannot wait to release it into the world. But before doing that, it is important to take some extra time to make sure your story is properly edited, despite the fact that editing is nowhere near as fun as writing.

Spell/Grammar Check

The first step towards the best version of your story is hitting that spellcheck button and proofreading it to make sure there are no errors. A story which contains spelling and/or grammar mistakes very often won’t be taken seriously.

Remove Adjectives/Adverbs

Sometimes, less is more, and this is especially true when it comes to adjectives and adverbs. Too much of either can suffocate your story. Instead, opt for using a stronger verb or a noun.
Remove Repetition This is very important to keep your readers’ attention. If you catch yourself repeating the same thing several times throughout the story, you know what to do.

Remove Clichés 

Clichés are a deadly sin of fiction writing. Avoid them at all costs. Begin with a Bang. If you explain too much at the beginning of your story (if you “tell” instead of “show”), your beginning might not be as effective as it would be if you jumped straight into action. Mind you, this “action” does not have to be your characters running away from zombies (but hey, I’m not judging), however, if you begin your story with a lengthy description of the weather, many readers might get bored and abandon the story altogether.

Check For Consistency

Make sure your writing is consistent in every way. This can refer to either checking that the names of your characters are consistent throughout the story, or that their motivation corresponds to their actions. The story has to follow the rules of logic (except when its primary purpose is to twist those rules).
Remove Unnecessary Explanation I cannot stress this enough. Just like long beginnings, explanations are often a lazy way out which indicates that an author couldn’t be bothered to write a scene in which s/he would show something instead of telling it. Let’s face it: explanations are boring. There are many things about the characters that the writer has to know, that never make it to the final version of the story. There’s nothing wrong with that. Make sure the readers know only what they really, really have to know in order to follow your story.

Edit Your Dialogue

Editing is essentially, a conversation where the boring parts have been left out. Make sure that your dialogue truly reveals only the necessary information for the story, and cut all those random chats that do not move the story forward.

Get Perspective Okay

So, you have made sure that your short story does not have any repetition, clichés, or unnecessary explanations. Now what? The best thing you can do is to leave your story alone and come back to it with fresh eyes. You can leave it for one day, or a couple of weeks, depending on your schedule or personal preference. However, I find this step very important because it allows you to gain some perspective and to see the possible shortcomings of the story more easily.

Get Feedback

Give the story to your beta readers. They can be members of your creative writing workshop, your family or friends. In any case, they should be people you consider honest and trustworthy, and preferably experienced readers. It is better to have several opinions than only one. However, take their advice with a grain of salt: even though their feedback can be very useful, remember that you are still the author and at the end of the day should do what feels right to you instead of listening to others.

Once a writer has completed these steps, the writer can be assured that at least all of the most egregious  errors are gone and never give up writing!

 

The Top 10 Elements of a Book People Want to Read!

 

 

 

 

Many Indie writers are just now finishing their summer novel writing and will publish soon!  I thought it would be a great time to repost this article about the elements of good writing for readability!

By Writer Digest contributor, Helga Schier, PhD, Editor, Guest Column | March 16, 2015

This guest blog is written by Helga Schier, PhD, former Big Five editor and founder of With Pen and Paper, an independent editorial services firm. With over 20 years of experience in the (self-)publishing industry. For more information, visit http://www.withpenandpaper.com

Aim for High Readability

People enjoy books with a high level of readability—books with a captivating story and memorable characters, books we can’t put down, books that stick with us long after we’ve read the last word.

As an independent editor, I’ve come across my fair share of readable books, and all of them are well crafted on three distinct but intricately connected levels.

  • The surface structure of the words on the page, which includes grammar, punctuation, and spelling
  • The level of style and voice, which is defined by the choice of words, the sentence rhythm, the use of literary techniques and images, and the tone or approach
  • The content level, where the fictional world comes to life.
  • Highly readable books are polished, refined, sophisticated, and mature on all three levels. To fulfill the potential of your book, develop and sharpen the following top ten elements.
  1. Your Words Are Your tools; Make Sure They Are in Working Order.

Avoid typos, sort out commonly mistaken words such as die/dye or there/their/they’re. [Like this quote? Click here to Tweet and share it!] Watch your grammar—make sure your nouns agree with your verbs and the personal pronouns fit. If a paragraph begins in the past tense, it likely ought to end in the past tense, too. Figure out where those commas go to help your readers make sense of your sentences. Sounds basic? It is. So run that spell-check and get it right.

  1. Check for Inconsistencies.

Writers revise their work constantly. As a result, characters may appear or disappear at random, because chapters were rearranged; subplots remain unresolved, because chapters were cut; and timeline issues may tiptoe in. Looking for inconsistencies and holes in your story is an integral part of polishing your work.

  1. Avoid Overwriting.

Your style or voice should step into the background to serve your story. No need for a clever metaphor in every sentence, or for an adjective before every noun. Avoid complicated sentences if a simple sentence will get your point across. Avoid inflated sentences and unnecessary introductory or summarizing phrases. Don’t be verbose—every sentence has a point; get to it.

  1. Avoid Underwriting.

Allow your language to adapt to its context. Using the same words and/or sentence structures repeatedly makes a novel repetitive and monotonous. If the teenage girl and the CEO of a multibillion dollar company have the same voice, we’ll learn more about the writer than about the characters and their relationships. Avoid clichés and create your own personal images instead. Or use clichés and stereotypes to your advantage—say, to define a character.

  1. Make Sure Your Characters Are More Than a Name.

As a reader, I want to be able to relate to your characters. I don’t have to always like them or agree with their choices, but I want to understand why they say and do whatever it is they say and do. I want to care for them, fear and worry with them. Therefore, your characters need to be recognizable and unique at the same time. They need to be complex rather than cardboard cutouts, and dynamic rather than passive. Even a bad guy deserves a redeeming quality.

  1. Show, Don’t Tell.

“He was anxious.” Or: “She was happy.” Or: “They were angry.” That’s telling. Trouble is, this does not really tell me what I am to imagine. Is he chewing his nails? Is she smiling as she embraces her newborn baby? Are they raising their voices to a level that could be heard down the block? That’s showing, and it conjures up a clear image in your reader’s head. And that’s what you want.

  1. Sharpen that Dialogue…

Dialogue passes on information between characters and to the reader. Dialogue propels the plot forward. And, dialogue reveals the personality of the dialogue partners, as well as their relationship. Avoid repeating small talk, too much clever banter, and uninterrupted speeches. At least two people should exchange information, ask questions, answer them, comment, fight, tease… whatever. The way your characters interact with each other says a whole lot about them and about their relationship.

  1. …And Expose that Subtext.

People don’t necessarily say what they mean or mean what they say. Every conversation has a subtext. Dialogue is not only about what is being said, but also about how the dialogue partners feel about and relate to each other. Do they like each other? Who has the upper hand? Do they trust each other? Show us in their gestures, glances, body language, and behavior while they’re talking. Is anyone leaning in or moving away? Anyone nervously fidgeting with a pen? Anyone looking out the window because he is bored or to the floor because she is ashamed? The narrative must support the dialogue by exposing the underlying tension, conflict, and motivation of your characters.

  1. Drive the Plot Towards Your Reader’s Aha-Moment.

A readable novel provides meaning to the world we live in, which is to say that the succession of events must make sense. Your characters react to these events in ways that are motivated by their psychological disposition. The interplay of events and character behavior moves your plot forward. The writer’s hand should remain invisible. Therefore, prepare your plot twists within the novel before they happen, and give your characters a reason for their behavior. These clues should not be so obvious that we can predict the way your story goes, but in retrospect, once the plot has twisted a certain way, your preparation must become clear. It’s your readers’ aha-moment, if you will.

  1. Build Your World.

Stories don’t happen in a vacuum. Your story could happen in China in the distant past, in present day America, or in the future on a planet you imagined. Your readers need to know how your world compares to theirs. This is world building, which involves establishing a clear timeline, a recognizable locale of your overall story, and, just as importantly, the ambiance of any given scene.

As a writer, you must create a world populated with characters who live their lives before our eyes, and you must do so with words only. [Like this quote? Click here to Tweet and share it!] There is no camera to show us that the police car drives off with lights flashing, no sound to give us the sirens, and no actors to make a comment sound bored or sexy or irritated or funny or scared. Your words and their rhythm build your world and make it turn.

Your words are your tools; make sure they are in working order.

Change The World

Adm. William H McRaven has written the most inspiring, uplifting, and wonderful speech I have ever heard! thank you for this wonderful uplifting post.  https://fourthgenerationfarmgirl.com/2017/08/17/change-the-world/  and also https://jenniefitzkee.com/

fourth generation farmgirl

This speech by US Navy Admiral, William H. McRaven is beautiful, moving, and inspiring.  I hope you will watch it.

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21 Do It Yourself Tips on Writing!

21 Do-It-Yourself Editing Tips by Melissa Donovan http://www.writingforword.com, July 4, 2017

*proofreading and editing

*Tips for Editing Your Own Work.

*The human mind is a funny thing; it likes to play tricks on us.

For example, when we proofread and edit our own writing, we tend to read it as we think it should be, which means we misread our own typos and other spelling, grammar, and punctuation mistakes as well as problems with word choice and sentence structure, context, and overall readability.

Do-It-Yourself Editing Tips

Here are twenty-one do-it-yourself editing tips that you can put into practice for polishing your own writing:

  1. Proofread and edit every single piece of writing before it is seen by another set of eyes. No exceptions. Even if you hire a professional editor or proofreader, check your work first.
  2. Understand the difference between proofreading and editing. Edit first by making revisions to the content and syntax. Then proofread to check for proper grammar, spelling, and punctuation.
  3. Use the Track Changes feature in Microsoft Word when you edit. This feature saves your edits. You can then review the changes you’ve made and approve or reject them.
  4. Step away from a piece of writing before you proofread it. The longer the piece, the longer you should wait to proofread it. Let a novel sit for a few weeks. Let a blog post sit overnight.
  5. Before proofreading and editing, run the spelling and grammar checker. Then run it again after you’re done polishing to check for any lingering typos. However, don’t count on software for spelling and grammar. Use it as a fail-safe.
  6. Read your work aloud. Pronounce each word slowly and clearly as you read and check for mistakes.
  7. Proofreading should never be a rush job. Do it s l o w l y.
  8. Don’t review your work once and then send it out into the world. I recommend editing until the piece reads smoothly and then proofreading it at least three more times.
  9. At the very least, proofread until you don’t catch any more errors.
  10. Read the piece backward so you can see each word separately and out of context.
  11. Look up the spelling of proper names as well as scientific and technical terms that you’re not familiar with to make sure you’re spelling them correctly.
  12. Don’t make any assumptions. If you’re not sure about something, look it up so you can fix a mistake (if there is one) and learn the correct way.
  13. Don’t forget to proofread titles, headlines, and footnotes.
  14. Pay attention to the mistakes you’ve made in your writing. You’ll find that you tend to make the same ones repeatedly. Keep track of these and work on avoiding them during the initial writing process in the future.
  15. Choose one of the many style guides and stick with it. This will make your work more consistent, and you’ll have a trusty resource to use when you have questions about style and formatting.
  16. Start building a collection of grammar books and writing resources so when you do run into questions (and you will), you have access to reliable and credible answers.
  17. If you intentionally let grammatical mistakes slip through, do so by choice and make sure you have a good reason. It’s okay to break the rules if you know why you’re breaking them.
  18. Pay attention to formatting. Use the same formatting on all paragraphs and headings for a professional level of consistency. Learn how to use these features in your word processing software (in MS Word, this feature is called Styles).
  19. Proofread when you’re fresh and wide awake. Proofreading doesn’t go over well when you’re tired or distracted.
  20. Proofreading and editing can be tedious, so break up your revision sessions by doing other tasks that help you clear your mind: exercise, play with the pets or kids, go for a short walk, or listen to some music. Try to avoid reading or writing during these breaks.
  21. Make it your business to develop good grammar skills. Read up on grammar or subscribe to a blog that publishes grammar posts (like this one) to stay up to date on proper grammar.

Some people love the proofreading and editing process. Others despise it. If you’re into grammar, the mechanics of writing, and polishing your work, then proofreading and editing will be easier and more enjoyable for you. If not, just look at it as part of your job — something that goes along with being a writer. And once you’re done proofreading and editing, make sure you get back to your writing.

 

 

 

Adventures in Writing:  The Complete Collection

A Tuesday Review: The Son of Nepal by J.J Sylvester (Book 1 of the Sons of Thunder)

Visit J. J Sylvester’s website and see a sample of his books: via  https://theeverplanes.com/2017/04/23/the-son-of-nepal

5 Stars!  This intriguing novel, The Son of Nepal, by author J.J Sylvester, is a fascinating and uniquely beautiful story. It is told with a Middle Eastern flair for story-telling, that I found utterly enchanting. When a novel can transport the reader to a different place and time – that is extraordinary. It is beautifully written, with a lush cadence like prose that moves brilliantly through the entire novel.
Johannan, our hero, is very brave in his pursuit to find a cure for his beloved’s blindness and gives himself over to be used by a Great Spirit, such is his desire to return the gift of sight to his beloved. What is Johannan to learn from his quest, as he searches for months on end to find the magical cure, but only a true heart, he has been told, will the Great Spirit choose to grant Johannan’s wish. Johannan suffers great hardship in his pursuit to find a cure for his beloved, and therefore, he should be rewarded, shouldn’t he?
Will the parables this novel evokes ring true or will they not? We are often told: be careful what you wish for, true love conquers all, think before you leap, and everything comes with a price!” What price will Johannan pay or will the Great Spirit, bestow on him the happy life that Johannan has sacrificed so much to achieve for his beloved?         Johannan’s story is powerful and is so meaningful, even about our own lives, that we should take heed, for we are vulnerable as well. Is what we wish for honorable and good? It is only in our hearts, that will it ring true. I highly recommend The Son of Nepal.

A Summary of K.M. Weiland’s  “Write Like a Master”

 

My summary of K.M. Weiland’s excellent article presented in Writer’s Digest, Work Book: Exercises and Tips for Honing Specific Aspects of Your Writing presents the key points of her exceptional article via Writer’s Digest 2014 Reblog. It is especially for writers penning their first novel, but also for seasoned writers to again remember a classic, Jane Eyre, a novel that was ahead of its time, by Charlotte Brontë.  Often, reading classics, as most of us do, gives us fresh insight to dramatic storytelling par excellence. K.M. Weiland gives us 10 distinct techniques for dramatic masterful writing.

  1. Hook: Start in the middle of some type of interaction within environment, statement, or internal angst to provoke reader curiosity.
  1. Characteristic Moment: Reveal/show a personality trait of the Protagonist.
  1. Setting Description of Scene: Start broadly, and then zoom in.
  1. Symbolism: Small details set story’s tone and foreshadows its course.
  1. The World Protagonist Inhabits: demonstrate character’s interior and exterior world.
  1. Back Story: Intersperse with dialogue, don’t dump back story in long paragraphs in chapter 1.
  1. The Premise of Story: Present the Dramatic Question early on, involving the moral foundation, the impetus that drives the story forward.
  1. Physical Actions: The physical movements of characters interspersed throughout dialogue increases depth of character traits.
  1. Protagonist’s Belief: Once Dramatic Question is identified, writer presents obstacles for protagonist until she/he can relinquish belief/misconception and meet deepest needs.

10.Extraordinary Factor: What makes the Protagonist important? How at odds is protagonist in his/her world with others that creates friction, tension, and thus the central conflict of story premise.

***see Writer’s Digest, October 2014 edition, for full article.