New Novel by Karen DeMers Dowdall

 

 

 

 

 

 

 

 

 

Soon to be published, this historical time-slip paranormal fiction novel, begins with Sara Windsor Knightly, a modern day Wiccan (a mostly herbal witch), who inherits a 17th century colonial manor in a small colonial town in Connecticut. She turns the manor into a bed and breakfast Inn. Sara discoveries that the house is also haunted by Scottish ghosts who mostly behave themselves.

There is also a ghost witch who was burned at the stake, in 1690, and the ghost witch, a long dead relative of Sara’s, Alice Windsor Hall, wants Sara to rescue her small daughter, Clara, from terrible danger created by a wicked Alchemist posing as a minister, by going back in time to 1690. Sara believes she can’t change the past and will not agree to that request. Soon, however, Sara finds herself transported through time with Captain Christian Windsor-dead for 325 years.

Captain Windsor was a gentleman farmer from 1690, who was also a British Captain in the British Colonies of America during wartime. Captain Windsor was killed in the war of 1690 in Colonial America. He was in charge of a British Brigade during King William’s War of the League of Augsburg against the French occupation of land in British Colonial in America. The French, with the assistance of the Abenaki Indians from Maine, who were against the British for taking their ancestral lands in Maine, chose to fight with the French against the British Colonials in America.

 

 

 

 

 

BOOK REVIEW: CATLING’S BANE

Catling’s Bane, Book 1 of the Rose Shield series, offers the reader an amazing journey into a world so believable that the characters seem to come alive on the page. This beautifully written science-fiction pulled me into a world that glitters with luminosity. The author reveals this world with descriptions so vivid, so rich in detail, that we forget completely, that it is a fictional world.

It is a civilization very different than our own, yet still, very much the same, with problems of great poverty, injustice, and cruelty, with one exception. There are strange powers of influence, powers that control someone’s intent, beliefs, and thoughts. The poor live their lives in a caste system, while the wealthy and powerful live like royalty, and all others live by hook or by crook.

Yet, even for the wealthy, life becomes a perilous journey, because every word, ever thought, may not be their own.  There are those, however, within this system, who have courageous hearts, make great sacrifices, and if they can escape the Influencers, they may have the opportunity to change their world where everyone can speak their own thoughts and live their lives as they choose to be.

I was completely captured within this incredible world, created by the author, D. Wallace Peach. 5 stars

Steve the Crossing Guard

Steve the Crossing Guard, a teacher-at-large, and his amazing gift to children.

A Teacher's Reflections

There are teachers, and there are remarkable teachers.  Steve the Crossing Guard is one of the remarkable teachers, and he doesn’t teach in a classroom. He teaches on the street at a school crossing.  The children at his crossing will often learn far more than they learn in the classroom.

I got an email from Steve the Crossing Guard at 6:39 AM.  It was titled,
“Boston Massacre 3/5/1770”.

The text simply said:

Yes, you bet we’ll discuss it, within the hour…

Have a great day!
Steve

WOW!

This is exactly what Steve the Crossing Guard does.  He is so excited for what’s to come, because he has planned questions and challenges for the students. The anticipation of knowing and then wanting to pass it on is the greatest feeling. Really.

At 8:01 PM that night, he emailed:

Jennie,

So much history tomorrow: Michelangelo’s bday; fall of the Alamo; Dred Scott…

View original post 437 more words

St. Joseph’s Indian School

 

 

For a couple of years now, I feel as though I have adopted many children just by sending them cards, letters, and sometimes gifts. I love them. It is the most wonderful thing in the world to do. I hope that anyone interested would consider these beautiful Lokota Indian children by sending them a card, a letter and/or a small donation or gift. Anything at all would make a difference in their lives. They have already lost so much that is breaks my heart and so giving just a little love, joy, and care helps them so much.

Native American (Lakota) Culture

Culture is defined as the established beliefs, social norms, customs and traditions of a group of people. The same is true for Native American culture. Factors like geography, history and generations of spirituality, stories and traditions also shape the culture of any given tribe or people. Native Americans are no exception.

Here at St. Joseph’s Indian School, we have had the privilege of working with Native American families and communities since 1927. In 1991, the Akta Lakota Museum & Cultural Center was established on our campus to honor and preserve the historical artifacts and contemporary art that tell the story of the Lakota (Sioux) people of the Northern Plains.

Native American culture is sometimes thought of as a thing of the past. However, contemporary powwows, art and language revitalization efforts make a real difference in their lives as their traditional identity.

A Halloween Poem: The Witch of His Dreams!

THE WITCH OF HIS DREAMS

She comes to him at Midnight,

The Witch of his Dreams,

Her eyes a forest green,

Her hair, dark and long,

Her voice, a sweet magic,

Calling out his name,

He could not help but watch her,

Dance among the flowers,

Beneath a waxing moon,

She whirls and cast her spells,

Upon him,

A haunting chant she sings,

And soars into his soul,

On gossamer wings,

She whispers things he longs to hear,

Of secret longings in his ear,

She enchants him with delights,

Though she must fly into the night,

She tells him of her love,

And casts her spells upon him,

To love him evermore,

Though never shall she return,

For she was only ever,

The Witch of His Dreams.

Composed by K. D. Dowdall October 2017

HOW TO WRITE THE PERFECT SYNOPSIS

 

Royal FP(From a Writer’s Work Shop)

Most agents will ask you to send them a submission pack containing three items:

  • A covering letter (see advice here and sample here)
  • A synopsis
  • The first three chapters / 10,000 words of  your novel

Most agents will look at the covering letter first, then turn to the manuscript. If they like the first three chapters, they’ll be thinking, “This book looks really interesting. I’m definitely tempted . . . but is the author going to hold my interest over the full 300 / 400 pages? Is it worth me making that investment of time to read the whole thing?”

That’s where the synopsis comes in. The synopsis is there to answer the question, “What is the story of this book? Is there a clear story arc and will there be a satisfying ending?”

Obviously the actual experience of reading a synopsis is quite underwhelming. Synopses are boring, technical documents which (we hope) would not be true of your novel. But that doesn’t matter. Agents know synopses are dull, so all your synopsis really has to do is:

  • tell the agent in very clear terms what your story is
  • make it clear what your hook / premise / elevator pitch is (more info here)
  • give some kind of feeling for why the story matters & how the jeopardy increases
  • sketch out an ending that feels satisfying

But – and this should be reassuring – agents do know that synopses are hard to write and they care less about the synopsis than any other part of your submission package.That means you probably don’t need to worry excessively about your synopsis – just follow the guidelines below and you’ll do just fine.

How to write a perfect synopsis

A perfect synopsis has the following ingredients:

  • Length: 500-800 words
  • Main purpose: Summarise your plot
  • Secondary purpose: Make it clear what Unique Selling Point your book has
  • Language: Be businesslike: clear, to the point, neutral.
  • Presentation: Be well-presented: no typos or spelling mistakes. Normal font size, normal margins. Line spacing no narrower than 1.5
  • Character names. It helps if you put the names of main characters in bold or CAPS when you first introduce them. That way, if an agent has forgotten who Carlotta is, it’s easy for them to skim back and jog their memory. (Remember that agents are reading a lot of these things, so they have about a million character names in their heads at any one time.)
  • Extra points. It’s certainly not essential, but if you have a really compelling way to ‘sell’ your story in 2-3 lines maximum, then you could insert that little snippet up at the top of your synopsis as a way of reminding agents why they’re interested in this MS in the first place. For example, a certain Ms Rowling might have opened her synopsis with, “Harry Potter, an orphan, thinks he is an ordinary boy when an owl brings him a letter inviting him to attend wizard school.” That’s not strictly speaking synopsis material, but it does instantly emphasise the book’s appeal.
  • And remember: Tell the story: your job is not to sell the book, write dust jacket blurb, or anything else. Just say what happens in the story. That’s all you need to do.

And luckily there are things you don’t need to do:

  • Go into great detail about setting. If you were writing a synopsis for a Jane Austen novel for example, you might simply say “This novel is set in a small village in Regency England.”
  • Go into vast detail about character – a few quick strokes are all that you need. For example you might say: “Bridget Jones – a ditzy, mildly boozy twenty-something – …”
  • Be scrupulous about plot detail. It’s fine to skip over subplots or ignore some of the finer detail of how X accomplishes Y. The truth is, you won’t have time to include those things in a 700 word summary anyway. Agents know that the synopsis is at best an approximation of the story so you don’t need to have a troubled consicence.
  • You also don’t have to give away your very final plot twist – though you should make it clear that there is one. For example, you could write, “When Olivia finally catches up with Jack at the abandoned lighthouse, he tells her the real secret of his disappearance – and their final bloody reckoning ensues.” Mostly though, a synopsis is the ultimate plot spoiler, and your job is just to spill the beans whether you like it or not.

Critical Thinking: The 5 Factors that Earn 5 Star Reviews!

 

 

 

 

 

 

 

 

An excerpt from: Paul Goat Allen | March 12, 2018, Writer’s Digest. Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.

Novelists live and die by reviews yet uncovering what garners a gushing ovation or blistering takedown is often a mystery. A professional critic lays out what it takes to earn five-star book reviews. For two decades I’d been working as a freelance genre fiction book critic for outlets such as BarnesandNoble.com, Publishers Weekly, Kirkus Reviews and the Chicago Tribune. After sharing my credentials with the group, some of the writers began telling stories about mediocre or bad reviews they’d received at different points in their careers from one or more of the companies I’d listed.

As a reviewer, not much has changed since then. I enjoy all genres and have reviewed thousands of titles in hundreds of sub-genres ranging from apocalyptic fiction to zombie erotica. (Yes, there’s such thing as zombie erotica.) In the end, genre categorization matters little to me—it’s all about the story. With that in mind, I decided to formalize a universal framework through which I process and analyze my various reading experiences. While there are undoubtedly specific narrative elements I look for in-particular-genres (pacing and tension level in thrillers, for example), there’s a pyramid of qualities—a Hierarchy of Needs, if you will—that I seek in every story. While highly simplified, it’s this structure that dictates whether I give a book a positive or negative review.

These five criteria will not only provide a glimpse into how a veteran book reviewer dissects and evaluates a novel but, hopefully, make you look at your writing in a different light. See for yourself: Does your work-in-progress have what it takes to earn a positive review?

The Book Reviewer’s Hierarchy of Needs: How to Earn Five-Star Book Reviews

  1. Readability

A book’s degree of readability is the base layer of my reviewer’s pyramid, and the foundation for any good story. The quality of a novel—narrative clarity, narrative fluidity, having a coherent storyline—is directly related to the number of times I put that book down. Some are so bad, so poorly written, that I struggle to get through a single paragraph without wanting to walk away. Others have such a fl uid plot that I find it virtually impossible to stop reading—Tad Williams’ The Witchwood Crown and Jim Butcher’s The Aeronaut’s Windlass being two such examples of utterly readable, page-turning novels.

I’ve read a lot of “unputdownable” books over the last few decades, and the vast majority of these all have something in common beyond a clear and fluid narrative: The stories have noticeably strong chapter beginnings and endings. It’s a small thing, but a great way to compel readers to keep reading. How can you put a book down when every chapter begins and ends with a cliffhanger sequence, bombshell plot twist or powerful statement? When I consistently find these elements in a novel, I know the author fully understands the significance of readability.

Conversely, novels that aren’t as readable—that are poorly written with awkward sentence structure, a confusing storyline, weak chapter beginnings and endings—are almost asking to be tossed aside. This may sound obvious, but if you can’t compel a reader to read your story, then you need to focus more on your craft before penning another book.

  1. Immersion

I define immersion as the ability for me, the reader, to not only lose myself in a novel (I call these “stay-up-all-night-till-your-eyes-bleed” reads) but to experience the story intimately, living vicariously through the characters. This trick is accomplished through a continued focus on setting, rich description and atmospherics. I don’t want to experience the story as a detached viewer looking down at what’s happening—I want to feel like I’m in the story.

The litmus test for this is easy. If I become so engaged with a book that I lose track of time—if I glance at the clock and hours have passed by—you’ve succeeded in drawing me fully into your read. Writers who are absolute immersion masters (think Cherie Priest, Justin Cronin, Charlaine Harris) are so good at captivating description that weeks, months and oftentimes years after reading their novels I can still vividly recall specific scenes.

This layer is where many writers stumble, and here’s why: While they may excel at world-building and meticulous description at the beginning of a novel, once the action and adventure ramps up, they not only lose focus but completely ignore description altogether. I’ve seen this happen countless times in every genre: rich description for the first 100 pages or so, then almost nothing in the final 200. It’s called literary escapism for a reason. If I can’t lose myself in a read—from beginning to end—then I haven’t fully escaped. Writing the Intimate Character: Create Unique, Compelling Characters Through Mastery of Point of View

  1. Character Depth and/or Plot Intricacy

Three-dimensional, interesting and identifiable characters bring emotional connectivity and intensity to the read. If your readers aren’t emotionally invested in your characters, then the narrative impact of your story is inevitably going to be negatively impacted. Emotions wield power. If you can bring your readers to tears, make them laugh out loud or scare them to the point of checking under the bed, then you’ve succeeded on some level.

Creating authentic characters to whom readers can relate is a solid achievement—but an obvious word of warning: Stay clear of clichés and stereotypes. Overused conventions—like the Chosen One in fantasy who is consistently a white male, or the emotionally damaged billionaire entrepreneur in erotic fiction who needs to sexually dominate his love interest—even if brilliantly rendered, will underwhelm and disappoint more than a few readers (and reviewers).

Now, the reason I include an “and/or” between character development and plot intricacy is because, in some rare cases (particularly in mainstream thrillers), a novel with an impressively knotty storyline can still succeed with relatively cardboard characters.

Which is why plot intricacy is key: Why read a novel where you can accurately predict what’s going to happen after a few chapters? (I do that quite often. After reading the first chapter or two, I’ll jot down a prediction in my notes. You’d be surprised how many times I’ve guessed the ending correctly.) I just finished reviewing a brilliant historical mystery for Publishers Weekly that was filled with so many plot twists I was left guessing until the last few pages. It doesn’t matter if you’re writing a fantasy or a thriller or a romance—the plot has to be intricate enough to keep your reader simultaneously engaged and a bit off balance.

  1. Originality and Innovation

This one ties in with embracing originality, be it atypical characters or unconventional story structure. So many books out there today are built upon unoriginal, rehashed, derivative storylines. I read a lot. And I get bored easily, especially when reading the same basic story arc again and again. My advice? Don’t play it safe. Write a story that you’ve never read before. In a 2016 Goodreads interview I conducted with fantasy novelist Michael J. Sullivan, author of Age of Myth, he said,

“It doesn’t matter if it’s been done before. It just matters if it’s being done well now.”

I love that quote. Just because something has been done before doesn’t mean it can’t be re-envisioned or reimagined but be innovative—put a new twist on an old mythos, turn a stereotype on its head. Have the courage to be creative!

  1. Thematic Profundity

In the introduction to the 2006 reissue of Walter M. Miller Jr.’s 1960 Hugo Award–winning classic, A Canticle for Leibowitz, Mary Doria Russell writes, “You’ll be different when you finish it.” That’s my hope for every novel I pick up—that within the story there will be a kind of spiritual and/or existential wisdom, a kind of revelation or insight that will change the way I look at myself and the world around me.

A novel that holds this kind of thematic power—as well as the other elements in the Hierarchy of Needs—will get a starred review from me every time. Stories, no matter the genre, have the power to change lives. Novels like Andreas Eschbach’s The Carpet Makers, Margaret Atwood’s The Handmaid’s Tale and Yevgeny Zamyatin’s We have irrevocably changed who I am. After all, that’s the ultimate goal, right? To write a commercially successful and critically acclaimed novel that is both entertaining and enlightening.

Evaluating a novel is a cumulative process. Those with masterful character development but zero immersion will still receive a poor review, for example, while a thematically profound read with excruciatingly bad readability will receive a terrible review.

May this Hierarchy of Needs not only make you more aware of how your writing is experienced by readers—and jaded book reviewers like myself—but also offer up a few invaluable insights that can be used to improve your craft. Who knows, maybe my next starred review will be yours.

Paul Goat Allen has worked as a genre fiction book critic and written thousands of reviews for companies like BarnesandNoble.com, Publishers Weekly, the Chicago Tribune and Kirkus Reviews.