The Importance of Story Setting by Gordon Chaplin

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“On Saturday afternoon Billy Buck, the ranch-hand, raked together the last of the old year’s haystack and pitched small forkfuls over the wire fence to a few mildly interested cattle. High in the air small clouds like puffs of cannon smoke were driven eastward by the March wind. The wind could be heard whistling  in the brush on the ridge crests, but no breath of it penetrated down into the ranch-cup.” –John Steinbeck, The Leader of the People. (1937)

Gordon Chaplin writes: Now that is powerful writing. So there’s the setting of the story. I’ll never forget it, though its characters and plot have faded in my mind and it’s only through the setting that they can be recalled. The setting never gets in the way. It is the way of the story.

I first read Steinbeck’s Cannery Row in high school, too, and was mesmerized by its mythical setting among the sardine canneries of Monterey. The book was published in 1945. When I found myself in college in the bay area in the seventies, I made a pilgrimage. The setting sets the stage for what comes next and almost determines it.

In the next paragraph we encounter a black cypress tree full of white pigeons so we know we’re somewhere near the California coast. The hills around the ranch-cup are “washed with lean March sunshine. Silver thistles, blue lupines and a few poppies bloomed among the sage bushes.” The poppies are another giveaway. They are the California state flower.

“Jody plodded up the hill toward the ridge top. When he reached the little cleft where the road came through, the afternoon wind struck him and blew up his hair and ruffled his shirt. He looked down on the little hills and ridges below and then out at the huge green Salinas Valley. He could see the white town of Salinas far out on the flat and the flash of its windows under the waning sun.” Not too far away is the Pacific coast, where Jody’s grandfather, who’s coming to visit, lives and looks out, dreaming of his days as a pioneer leading the people west across the country. He can go no further.

*****This guest post on Writer’s Digest is by Gordon Chaplin. Chaplin is the author of the novel Joyride and several works of nonfiction, including Dark Wind: A Survivor’s Tale of Love and Loss and Full Fathom Five: Ocean Warming and a Father’s Legacy. His latest novel, Paraiso, is now available. He lives with his wife and daughter in New York City and Hebron, New York. Visit him at gordonchaplin.com and follow him @Gordon Chaplin.

 

Published by

K. D. Dowdall

Karen DeMers Dowdall was born in West Hartford, Connecticut. She has lived in Taiwan, Saudi Arabia, and England. Karen has a PhD, MSN, BSN, RN in Nursing from Florida Atlantic University. “Books of every genre teach us about life, how we think, and view the world.

5 thoughts on “The Importance of Story Setting by Gordon Chaplin

  1. It is so sad now. Cannery Row is totally commercial. I have taken my children there and we went kayaking out of Monterey Bay… Steinbeck didn’t just tell a story, he guided you through it, made you a guest at the table, as it were.

    Like

    1. I love settings! They are indeed the ‘magic dust’ and seem to be so under-rated. If there isn’t a significant setting in a novel I’m reading, I’m also turned off because the lack leaves such a gap for the imagination…

      Liked by 1 person

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